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In Chosen Places. Constructing New Jerusalems in Slavia Orthodoxa , Jelena Erdeljan focuses on the Old Testament topic of the divinely-chosen status of Jerusalem and translatio Hierosolymi, including the history, process and media of formulating and disseminating this idea and its spatial-visual matrix in Christian visual culture. Firstly the study presents the case of Constantinople, the capital of the Byzantine Empire, as New Jerusalem, and secondly, in relation to Constatinople, discussion focuses on the cases of the capitals of Slavia Orthodoxa in the later Middle Ages: Turnovo, Belgrade and Moscow. The idea of Jerusalem corresponds with the idea of a mystical center, the center of the historical Christian world, which travels and follows the path of eschatologial realisation.
Kingdom of God. --- Theology --- Church history. --- History.
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Sepulchral slabs --- Christian art and symbolism --- Stone carving --- Archaeology, Medieval --- Stone sculpture --- Stonework, Decorative --- Carving (Decorative arts) --- Decoration and ornament, Architectural --- Sculpture --- Incised effigial slabs --- Incised monumental slabs --- Incised sepulchral slabs --- Incised stone slabs --- Slabs, Sepulchral --- Effigies --- Sepulchral monuments --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Symbolism in art --- Sepulchral slabs - Serbia - Raška (Opština) --- Christian art and symbolism - Serbia - Raška (Opština) - Medieval, 500-1500 --- Stone carving - Serbia - Raška (Opština) --- Archaeology, Medieval - Serbia - Raška (Opština)
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This volume builds upon the new worldwide interest in the global Middle Ages. It investigates the prismatic heritage and eclectic artistic production of Eastern Europe between the fourteenth and seventeenth centuries, while challenging the temporal and geographical parameters of the study of medieval, Byzantine, post-Byzantine, and early-modern art. Contact and interchange between primarily the Latin, Greek, and Slavic cultural spheres resulted in local assimilations of select elements that reshaped the artistic landscapes of regions of the Balkan Peninsula, the Carpathian Mountains, and further north. The specificities of each region, and, in modern times, politics and nationalistic approaches, have reinforced the tendency to treat them separately, preventing scholars from questioning whether the visual output could be considered as an expression of a shared history. The comparative and interdisciplinary framework of this volume provides a holistic view of the visual culture of these regions by addressing issues of transmission and appropriation, as well as notions of cross-cultural contact, while putting on the global map of art history the eclectic artistic production of Eastern Europe.
Eclecticism in art. --- Art criticism. --- Historicism in architecture. --- Architecture --- Art --- Arts --- Criticism --- Art, Modern --- Analysis, interpretation, appreciation
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