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Psychological study of literature --- Depth psychology --- Criticism --- Psychoanalysis and literature --- Critique --- Psychanalyse et littérature --- 82:159.9 --- 82.09 --- #PBIB:2003.4 --- #PBIB:gift 2003 --- Literatuur en psychologie. Literatuur en psychoanalyse --- Literaire kritiek --- Criticism. --- Psychoanalysis and literature. --- Psychoanalyse --- cultuur en religie --- cultuur en religie. --- 82.09 Literaire kritiek --- 82:159.9 Literatuur en psychologie. Literatuur en psychoanalyse --- Cultuur en religie. --- Psychanalyse et littérature --- Literature and psychoanalysis --- Psychoanalytic literary criticism --- Literature --- Evaluation of literature --- Literary criticism --- Rhetoric --- Aesthetics --- Technique --- Evaluation
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Identiteit (Psychologie) in de literatuur --- Identiteit in de literatuur --- Identity (Psychology) in literature --- Identity in literature --- Identité (Psychologie) dans la littérature --- Identité dans la littérature --- Ik in de literatuur --- Moi dans la littérature --- Persona (Literature) --- Persona (Literatuur) --- Persona (Littérature) --- Self in literature --- Poetry --- American poetry --- Psychological aspects --- History and criticism --- Pound, Ezra --- Eliot, T. S. --- Criticism and interpretation --- Identity (Psychology) in literature. --- Self in literature. --- History and criticism. --- Psychological aspects. --- Pound, Ezra, --- Criticism and interpretation. --- Persona (Literature). --- Eliot, T. S., --- Eliot, Thomas Stearns, --- Soi dans la littérature --- Zelf in de literatuur --- 20th century --- Eliot, Thomas Stearns --- Pound, Ezra Loomis --- Poetry - Psychological aspects --- American poetry - 20th century - History and criticism --- Pound, Ezra - Criticism and interpretation --- Eliot, Thomas Stearns, - 1888-1965 - Criticism and interpretation --- Eliot, Thomas Stearns, - 1888-1965
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Women and literature --- History --- Bowen, Elizabeth, --- Cameron, Elizabeth Bowen, --- Bowen, Bitha, --- Criticism and interpretation. --- Ireland --- London (England) --- In literature. --- Bowen, Elizabeth
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"One of the finest literary critics of her generation, Maud Ellmann synthesises her work on modernism, psychoanalysis and Irish literature in this important new book. In sinuous readings of Henry James, James Joyce and Virginia Woolf, she examines the interconnections between developing technological networks in modernity and the structures of modernist fiction, linking both to Freudian psychoanalysis. The Nets of Modernism examines the significance of images of bodily violation and exchange - scar, bite, wound, and their psychic equivalents - showing how these images correspond to 'vampirism' and related obsessions in early twentieth-century culture. Subtle, original and a pleasure to read, this book offers a new perspective on the inter-implications of Freudian psychoanalysis and Anglophone modernism that will influence the field for years to come"--
English fiction --- Modernism (Literature) --- Psychoanalysis and literature. --- American fiction --- Psychological fiction --- History and criticism. --- Joyce, James, --- Woolf, Virginia, --- James, Henry, --- Freud, Sigmund, --- Criticism and interpretation. --- Influence. --- 82:159.9 --- 820-31 "19" --- Literatuur en psychologie. Literatuur en psychoanalyse --- Engelse literatuur: novel; roman--20e eeuw. Periode 1900-1999 --- 820-31 "19" Engelse literatuur: novel; roman--20e eeuw. Periode 1900-1999 --- 82:159.9 Literatuur en psychologie. Literatuur en psychoanalyse --- Modernism (Literature). --- Psychoanalysis and literature --- Literature and psychoanalysis --- Psychoanalytic literary criticism --- Literature --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- History and criticism --- Woolf, Virginia Stephen, --- Stephen, Virginia, --- Ulf, Virzhinii︠a︡, --- Ṿolf, Ṿirg'inyah, --- Vulf, Virdzhinii︠a︡, --- Вулф, Вирджиния, --- וולף, וירג׳יניה --- וולף, וירג׳יניה, --- Stephen, Adeline Virginia, --- Freud, Sigmund --- James, Henry --- Joyce, James --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ, --- Džoiss, Džeimss, --- Gʻois, Gʻaims, --- Joyce, Giacomo, --- Jūyis, Jīms, --- Tzoys, Tzaiēms, --- Tzoys, Tzeēms, --- Джойс, Джеймс, --- Джойс, Джеймс Августин Алоїсуїс, --- Zhoĭs, Zheĭms, --- ג׳ויס, ג׳ײמס, --- ג׳ויס, ג׳יימס, --- ジェームスジョイス, --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- جميس، هينري، --- جيمز، هنرى --- Joyce, James Augustine Aloysius --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ --- Džoiss, Džeimss --- Gʻois, Gʻaims --- Joyce, Giacomo --- Jūyis, Jīms --- Tzoys, Tzaiēms --- Tzoys, Tzeēms --- Джойс, Джеймс --- Джойс, Джеймс Августин Алоїсуїс --- Zhoĭs, Zheĭms --- ジョイス --- Woolf, Virginia --- Arts and Humanities --- Littérature anglaise --- Littérature américaine --- Modernisme (littérature) --- Psychanalyse --- 20e siècle --- Histoire et critique --- Dans la littérature
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GBS_insertPreviewButtonPopup(['ISBN:9780748691296','ISBN:9780748691302']);In this classic work, Maud Ellmann examines T. S. Eliot’s and Ezra Pound’s criticism in terms of what she calls the ‘poetics of impersonality’. She convincingly shows that Eliot’s and Pound’s attempts to overcome personality merely reinstated it in a new guise. And her superb and entirely original readings of the major poems of the modernist canon have earned a lasting place in criticism.Following an analysis of Eliot’s relation to Bergson, Ellmann goes on to analyse Eliot’s ‘Tradition and the Individual Talent’ and the later After Strange Gods, the early poems, The Waste Land, and Four Quartets. She then turns to Pound’s Personae, particularly ‘Mauberley’, and the Cantos. Ellmann looks for the contradictions inherent in modernist literary ideology and deftly teases out their implications. Stylish and perceptive, this book marked the debut of a major literary critic, and it has as much resonance today as it did on first publication."
American poetry --- Self in literature. --- Identity (Psychology) in literature. --- Persona (Literature) --- Personality in literature. --- Poetry --- History and criticism. --- Psychological aspects. --- Eliot, T. S. --- Pound, Ezra, --- Criticism and interpretation. --- Characters and characteristics in literature --- Rhetoric --- Pound, Ezra Loomis, --- Atheling, William, --- Bawnd, Izrā, --- Paount, Ezra, --- Pʻaundŭ, Ejŭra, --- Pavnd, Ezra, --- E. P. --- P., E. --- T. J. V., --- V., T. J., --- Pangde, --- Poet of Titchfield Street, --- Eliot, Thomas Stearns --- Ai-lüeh-tʻe, --- Īliyūt, T. S., --- Elliŏtʻŭ, --- Eliot, Thōmas S., --- Eliot, Th. S., --- Eliot, Thomas Stern, --- Elyoṭ, T. S., --- Ėliot, Tomas Stirns, --- אליוט ט.ס --- אליוט, ת. ס. --- Pound, Ezra --- Pound, Ezra Loomis --- Atheling, William --- Bawnd, Izrā --- Paount, Ezra --- Pʻaundŭ, Ejŭra --- Pavnd, Ezra --- T. J. V. --- V., T. J. --- Pangde --- Poet of Titchfield Street
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GBS_insertPreviewButtonPopup('ISBN:9780748617036);WINNER of the British Academy's Rose Mary Crawshay Literary PrizeThis study reveales both the pleasures offered by Elizabeth Bowen's works to the general reader and the literary critic, theorist and historian.Elizabeth Bowen was one of the finest writers of fiction in English in the twentieth century and one of the strangest. Born in 1899, her historical vision extends from the Irish Troubles of the 1920s to the London Blitz and the technological revolution of the post-war years. Her fiction is always entertaining – funny, moving and full of suspense – but it is also profoundly disconcerting.Maud Ellmann teases out Bowen's strangeness through close readings informed by historical, psychoanalytic and deconstructive methods of interpretation. She contextualises Bowen's work in the Irish and modernist traditions to investigate connections between her life and writing. She thoroughly expores Bowen's conflicting and complicit relations with other Irish, British, and European writers, her negotiations between contemporary history and with the long decline of the Anglo-Irish Protestant ascendancy, her peculiar take on gender and sexuality, her hallucinatory treatment of objects, particularly furniture and telephones and the surprising ways in which her writing pre-empts and in some cases confounds the literary theories brought to bear upon it. Bowen's writing is demonstrated to reach from a Dickensian comprehensiveness to an uncanny premonition of postmodernism."
Bowen, Elizabeth, --- Criticism and interpretation. --- London (England) --- Ireland --- In literature. --- In literature.
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American poetry --- Self in literature --- Identity (Psychology) in literature --- Poetry --- Persona (Literature) --- History and criticism --- Psychological aspects --- Eliot, T. S. --- Pound, Ezra, --- Criticism and interpretation.
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