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Image analysis. --- Image processing. --- Science and the humanities. --- Art and science. --- Science and art --- Science --- Humanities and science --- Humanities --- Pictorial data processing --- Picture processing --- Processing, Image --- Imaging systems --- Optical data processing --- Analysis of images --- Image interpretation --- Photographs --- Forensic sciences --- Inspection

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art criticism --- kunstfilosofie --- philosophy of art --- Art --- kunstbeschouwing --- Aesthetics --- menselijk lichaam --- psychology --- psychologie --- Psychology --- Figure humaine dans l'art --- Gedaanteverwisseling in de kunst --- Human body in art --- Human figure in art --- Menselijk figuur in kunst --- Metamorphosis in art --- Métamorphose dans l'art --- Corps humain dans l'art --- Philosophy --- Philosophie --- 82:7 --- Literatuur en kunst --- Human figure in art. --- Metamorphosis in art. --- Philosophy. --- 82:7 Literatuur en kunst --- Métamorphose dans l'art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Beautiful, The --- Beauty --- Art and philosophy --- Analysis, interpretation, appreciation

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Image (Philosophy) --- Interpretation (Philosophy) --- Pictures. --- Image (Philosophy). --- Interpretation (Philosophy).

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James Elkins offers a road map through the field of visual studies, describing its major concerns and its principal theoretical sources. Elkins takes us down a side road where visual studies can become a more interesting place. Why look only at the same handful of theorists? Why exclude from one's field of vision non-Western art or the wealth of scientific images? The centerpiece of Visual Studies is Elkins's proposal for ten ways in which visual studies could be made more challenging - theoretically, practically and in terms of its interpretative and historical range.

Art --- Sociology of culture --- Art and society --- Culture --- Visual communication --- Visual perception --- Visual literacy --- Communication and culture --- 77.01 --- 316.772.22 --- Fotografie--Semiotiek van de fotografie. Theorie --- Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- 316.772.22 Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Literacy, Visual --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Cultural sociology --- Civilization --- Popular culture --- Culture and communication --- Art and sociology --- Society and art --- Sociology and art --- Psychological aspects --- Social aspects

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In What Photography Is, James Elkins examines the strange and alluring power of photography in the same provocative and evocative manner as he explored oil painting in his best-selling What Painting Is. In the course of an extended imaginary dialogue with Roland Barthes's Camera Lucida, Elkins argues that photography is also about meaninglessness--its apparently endless capacity to show us things that we do not want or need to see--and also about pain, because extremely powerful images can sear permanently into our consciousness. Extensively illustrated with a surprising range of images, the book demonstrates that what makes photography uniquely powerful is its ability to express the difficulty--physical, psychological, emotional, and aesthetic--of the act of seeing.

Barthes, Roland. --- Photography, Artistic. --- Photography --- Philosophy. --- 77.01 --- Fotografie ; theorie --- fotografie --- fotografietheorie --- eenentwintigste eeuw --- Barthes Roland --- Fotografie--Semiotiek van de fotografie. Theorie --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Photography, Artistic --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Philosophy --- Aesthetics --- Photographie artistique --- Photographie --- Philosophie