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This book challenges the established conceptual and historical paradigm in Anglo-American film studies that perceives European cinema as essentially ''high art.'' Through a study of the specific contexts in which popular European films are produced, distributed and exhibited, the book proposes new analytical and critical frameworks for their study. Films analyzed in the book include Cinema Paradiso, Mediterraneo, Bhaji on the Beach, Until the End of the World, Underground, and Jam=n Jam=n.
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Cinematic Journeys explores the interconnected histories, theories and aesthetics of mobile vision and cinematic movement. It traces the links between certain types of movement of/in the frame and broader cultural trends that have historically informed Western sensibilities. It contextualises that genealogy with detailed analysis of contemporary and recent 'travel films' as well as older works. The book investigates how movements of exploration, discovery and revelation are activated in specific cinematic narratives of travelling and displacement. Such narratives are analysed with attention
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Emigration and immigration in motion pictures --- Motion pictures --- Travel in motion pictures --- History
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