Listing 1 - 7 of 7 |
Sort by
|
Choose an application
Música --- Òperes --- Reproducció en temps real --- Pandèmia de COVID-19, 2020 --- -Música --- Pandèmia de COVID-19, 2020-
Choose an application
Choose an application
Philosophy and psychology of culture --- Sociology of culture --- Economic production --- Public economics --- Economics --- Engineering sciences. Technology --- Mass communications --- innovatiemanagement --- sociale media --- cultuur --- dienstverlenende bedrijven --- economie --- technologie --- technologische innovatie --- innovaties
Choose an application
Choose an application
By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?
Multimedia information systems. --- Engineering Acoustics. --- Multimedia Information Systems. --- Musical instruments. --- Instruments, Musical --- Organology (Music) --- Engineering. --- Music. --- Acoustics. --- Acoustical engineering. --- Signal, Image and Speech Processing. --- Acoustic engineering --- Sonic engineering --- Sonics --- Sound engineering --- Sound-waves --- Engineering --- Computer-based multimedia information systems --- Multimedia computing --- Multimedia information systems --- Multimedia knowledge systems --- Information storage and retrieval systems --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Construction --- Industrial arts --- Technology --- Industrial applications --- Instrumental music --- History and criticism --- Acoustics in engineering. --- Multimedia systems. --- Signal processing. --- Image processing. --- Speech processing systems. --- Computational linguistics --- Electronic systems --- Information theory --- Modulation theory --- Oral communication --- Speech --- Telecommunication --- Singing voice synthesizers --- Pictorial data processing --- Picture processing --- Processing, Image --- Imaging systems --- Optical data processing --- Processing, Signal --- Information measurement --- Signal theory (Telecommunication)
Choose an application
By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?
Vibrations --- Computer. Automation --- Music --- geluidsleer --- akoestiek --- beeldverwerking --- geluidsisolatie --- spraaktechnologie --- elektro-akoestiek --- object recognition --- landbouw --- multimedia --- muziek --- signaalverwerking --- anno 2000-2099 --- Acoustics in engineering --- Acoustics --- Multimedia systems --- Information storage and retrieval systems --- Computer-based multimedia information systems --- Multimedia computing --- Multimedia information systems --- Multimedia knowledge systems --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Acoustical engineering. --- Acoustics. --- Music. --- Signal processing. --- Image processing. --- Speech processing systems. --- Multimedia information systems. --- Engineering Acoustics. --- Signal, Image and Speech Processing. --- Multimedia Information Systems.
Choose an application
By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?
Vibrations --- Computer. Automation --- Music --- geluidsleer --- akoestiek --- beeldverwerking --- geluidsisolatie --- spraaktechnologie --- elektro-akoestiek --- object recognition --- landbouw --- multimedia --- muziek --- signaalverwerking --- anno 2000-2099
Listing 1 - 7 of 7 |
Sort by
|