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The term "cult film star" has been employed, and used as a common-sense term, in publicity and popular journalistic writing for at least the last twenty-five years. However, what makes cult film stars or actors distinct or different from other film stars has rarely been addressed, with the cult star label often being attributed to particular stars or actors in an imprecise way. This edited collection provides a much-needed overview of the variety of processes through which film stars and actors become associated with the cult label. It brings together chapters from an international group of scholars which focus on a wide range of cult stars and actors, from Montgomery Clift and Bill Murray to Ruth Gordon and Ingrid Pitt. The collection makes important, previously under-explored, connections between two key disciplines within film and media studies: stardom/celebrity studies and cult film studies
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"Showcasing current research and contemporary debate in the field of screen history and audience studies, Researching Historical Screen Audiences draws upon a wide variety of previously untapped sources -- including photographs, maps, Mass Observation reports, diaries, fan letters, cinema records and original oral testimonies -- to explore the challenges and pleasures of conducting research in this field. Containing twelve new essays from an international group of leading and emerging scholars, the book explores and assesses the current status and shape of the field of historical audience research, showcasing new research which foregrounds the transnational and multi-cultural dimensions of past cinemagoing, the roles played by management personnel and marketing campaigns, and the currently under-explored area of the past reception of home video."--Publisher description.
Motion picture audiences --- Motion picture audiences --- History. --- Cinéma --- Cinéma --- Histoire. --- History --- Motion picture audiences --- Media Studies. --- Research --- Methodology. --- History. --- Publics --- Recherche --- Méthodologie. --- Publics --- Histoire.
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Ridley Scott's 1979 Alien has attained classic status and is one of the most analysed films by scholars. But until now, there have been no published studies of its audiences. This book presents the findings of a major project exploring how different kinds of viewers engage with the film. Based on over 1,000 responses, the authors uncover some surprising patterns and tendencies. These disclose, among other things, the remarkable role played by parents and other relatives in 'gifting' the film to their children, raising important questions about the idea of 'age-inappropriate' viewing, a fascinating ambiguity over the role of 'acting' in the notorious 'chestburster scene' and an important shift in the way audiences see Alien as 'more than just a film' once imitations and parodies become prevalent. Some particularly long and rich responses reveal how this film can go on arousing strong visceral responses, even after repeated viewings. Richly illustrated with quotations, this book will shift current understandings of horror film audiences.
Sociology of culture --- Didactics of the arts --- Art --- Film --- Directing --- Fiction --- American literature --- Amerindian literature --- History --- filmgeschiedenis --- fantasy --- cultuur --- film --- geschiedenis --- kunst --- literatuur --- Amerikaanse cultuur --- United States of America
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