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In the late Middle Ages, Chaucer invented two imaginative domains - antiquity and modernity - that proved crucial to his culture and to our subsequent understanding of the emergence of selfhood, subjectivity and social arrangements. This study shows how Chaucer's effort to imagine these two worlds grew out of a reading and rewriting of Boccaccio's work. The poems of Chaucer's artistic maturity are thus connected to literary tradition, and particularly the European vernacular, at the same time that they perform the cultural work of examining the mythic origins of medieval institutions and expressing the experience of social and historical change. Edwards provides us with a valuable way of approaching Chaucer's poetry and his complex vision of late medieval culture.
Aesthetics [Ancient] --- Aesthetics [Medieval ] --- Antieke esthetica --- Esthetica [Middeleeuwse ] --- Esthetica van de oudheid --- Esthétique ancienne --- Esthétique de l'antiquité --- Esthétique médiévale --- Intertextualiteit --- Intertextuality --- Intertextualité --- Medieval aesthetics --- Middeleeuwse esthetica --- English poetry --- Italian influences --- Chaucer, Geoffrey --- Knowledge --- Literature --- Sources --- Boccaccio, Giovanni --- Appreciation --- England --- Influence --- Chaucer, Geoffrey (1340?-1400) --- Boccace (1313-1375) --- Poésie anglaise --- Esthétique antique --- Savoir et érudition --- Littérature --- Appréciation --- Angleterre (GB) --- Influence italienne
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Christian drama, Latin (Medieval and modern) --- Passion-plays --- Poetics --- 82-291 --- 82-291 Middeleeuws toneel. Zestiende-eeuws toneel --- Middeleeuws toneel. Zestiende-eeuws toneel --- History and criticism --- History --- Jesus Christ --- Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- عيسىٰ --- Passion --- History of doctrines --- Montecassino Passion play. --- Drama --- Medieval Latin literature --- anno 500-1499
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This book seeks to reformulate the master narrative of erotic discourse in medieval literature. Starting from the traditions initiated by Augustine's 'Confessions' and Ovid's A'rs Amatoria' and 'Remedia Amoris', it resituates the love doctrine of medieval texts in a literary dialectic with desire--including fresh readings of Abelard and Heloise, Marie de France, Jean de Meun, Dante, Boccaccio, and Chaucer. In these writers, desire emerges as both a topic capable of sustained moral reflection and a source for private and social identity.
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History of Scandinavia and Iceland --- anno 1930-1939 --- anno 1940-1949 --- Russia --- Finland
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International relations. Foreign policy --- History of Scandinavia and Iceland --- anno 1930-1939 --- anno 1940-1949 --- Russia --- Finland
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Poetry, Medieval --- -European poetry --- Medieval poetry --- History and criticism --- Comparative literature --- anno 500-1499 --- Invention (Rhetoric) --- Narration (Rhetoric) --- History --- History and criticism. --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric)
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