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English literature --- Drama --- English drama --- Irish drama --- Théâtre anglais --- History and criticism --- Histoire et critique --- -Irish drama --- -Irish literature --- Ireland --- In literature. --- History and criticism. --- -History and criticism --- Théâtre anglais --- Irish literature
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820-992 --- English prose literature --- -Travelers' writings, English --- -Ocean travel --- -Sea stories, English --- -British --- -Voyages and travels --- -Travel writing --- -Travel --- Authorship --- Journeys --- Travel books --- Travels --- Trips --- Voyages and travels --- Geography --- Adventure and adventurers --- Travel --- Travelers --- British people --- Britishers --- Britons (British) --- Brits --- Ethnology --- English sea stories --- English fiction --- Cruises --- Ocean voyages --- Routes of travel --- Sea travel --- Voyages, Ocean --- Transportation --- Steamboats --- English travelers' writings --- English literature --- Engelse literatuur: reisbeschrijvingen --- History and criticism --- History --- -Historiography --- -History --- -Authorship --- Passenger accommodation --- -Engelse literatuur: reisbeschrijvingen --- -820-992 --- 820-992 Engelse literatuur: reisbeschrijvingen --- -820-992 Engelse literatuur: reisbeschrijvingen --- British --- Ocean travel --- Sea stories, English --- Travelers' writings, English --- Travel writing --- History&delete& --- Historiography --- 18th century --- British (Nation) --- Travelers' writings [English ] --- Sea stories [English ] --- Voyages and travels - History - 18th century - Historiography. --- British - Travel - History - 18th century - Historiography. --- Travelers' writings, English - History and criticism. --- Ocean travel - History - 18th century - Historiography. --- Sea stories, English - History and criticism.
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First published in 1968.
By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic
Shakespeare, William, --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Technique.
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In this original and wide-ranging book, Philip Edwards examines the theme of pilgrimage in the works of a variety of major writers, including Shakespeare, Conrad, T. S. Eliot, Yeats, and Heaney. Edwards considers the original and early uses of the terms 'pilgrim' and 'pilgrimage' in life and literature, and demonstrates the importance, vitality and flexibility of pilgrimage as a literary theme over the centuries. The emphasis is almost wholly on post-reformation writers, analysing the theme of pilgrimage in major works where previously it has not been thought to exist, and marking an important departure from traditional studies of the pilgrim and pilgrimage in literature. With the character of Hamlet central to the discussion, Edwards argues the emergence in Shakespeare of a new tragic vision of pilgrimage, which perhaps had its beginnings in ancient Irish literature. This is a ground-breaking and unusual study, which encompasses centuries under a common, and vital, theme.
Littérature anglaise --- Pèlerins et pèlerinages dans la littérature --- Pèlerins et pèlerinages chrétiens dans la littérature --- Histoire et critique --- English literature --- Pilgrims and pilgrimages in literature. --- Christian pilgrims and pilgrimages in literature. --- History and criticism.
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