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The first encompassing publication on the work of Adam Pendleton, one of the most formally inventive and conceptually rigorous American artists working todayAdam Pendleton's original and powerful body of work has been described as the embodiment of a new era. His multifaceted projects, which include painting, collage, film, and publishing, re-contextualize historical and theoretical positions on abstraction, blackness, and the avant-garde. Working predominantly in black-and-white, Pendleton often creates 'total works' that envelop viewers and push the limits of contemporary discourse.A rising star in the international art scene, Pendleton is currently represented by PACE in New York, London, and Hong Kong; Shane Campbell in Chicago; David Kordansky in Los Angeles; Max Hetzler in Berlin; Pedro Cera in Lisbon; and Eva Presenhuber in Zurich.

Art --- installations [visual works] --- spray painting --- social history --- racial discrimination --- video art --- easel paintings [paintings by form] --- texts [documents] --- black-and-white [colors] --- graffiti art --- Pendleton, Adam --- Artists --- kunst --- 7.071 PENDLETON --- boekdesign --- boeken --- Black Dada --- kunst en politiek --- performances --- performance --- collages --- collage --- film --- Afro-Amerikaanse kunst --- Verenigde Staten --- eenentwintigste eeuw --- Pendleton Adam --- Pendleton, Adam, --- Criticism and interpretation. --- Thema's in de kunst ; Black Lives Matter --- Beeldende kunst ; Verenigde Staten ; 21ste eeuw --- Beeldende kunst ; 21ste eeuw ; Black Dada --- Pendelton, Adam (°1984, Richmond, Virginia) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- paintings [visual works]

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Althamer, Pawel ; Johnson, Rashid ; McNamara , Ryan ; Gupta, Subodh ; Hecker, Florian ; Singh, Alexandre ; Barba, Rosa ; Peake, Eddie ; Lutker, Shana ; Vitale, Marianne ; Raqs Media Collective ; Wranes, Tori ; Spooner, Cally ; Amir, Einat ; Jonas, Joan ; Bel, Jérôme ; Hassabi, Maria ; Lowe, Molly ; Meier, Dieter ; Charmatz Boris ;

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This landmark volume accompanies the 2022 Whitney Biennial. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States. --

Art, American --- kunst --- Verenigde Staten --- eenentwintigste eeuw --- Whitney Biënnale --- 7.039 --- Whitney Biennial --- Whitney Biennial. --- Art --- art [discipline] --- racial discrimination --- political art --- globalization --- social criticism --- anno 2000-2009 --- anno 2010-2019 --- America

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Fei, Cao ; Fast, Omer ; Ghenie, Adrian ; Yiadom-Boekye, Lynette