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What happens when we begin to consider stories at the margins, when we grant them centrality? How does that complicate our certainties about who we are, as individuals, as nations, as human beings? Through the lens of visual art, literature, film, and the author’s lived experience, Out of the Sun examines Black histories in art, offering new perspectives to challenge us. In this groundbreaking, reflective, and erudite book, two-time Scotiabank Giller Prize winner and internationally bestselling author Esi Edugyan illuminates myriad varieties of Black experience in global culture and history. Edugyan combines storytelling with analyses of contemporary events and her own personal story in this dazzling first major work of non-fiction.
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Musiciens de jazz --- Noirs --- Roman.
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Home, for me, was not a birthright, but an invention. It seems to me when we speak of home we are speaking of several things, often at once, muddled together into an uneasy stew. We say home and mean origins, we say home and mean belonging. These are two different things: where we come from, and where we are. Writing about belonging is not a simple task. Esi Edugyan chooses to intertwine fact and fiction, objective and subjective in an effort to find out if one can belong to more than one place, if home is just a place or if it can be an idea, a person, a memory, or a dream. How "home" changes, how it changes us, and how every farewell carries the promise of a return. Readers of Canadian literature, armchair travellers, and all citizens of the global village will enjoy her explorations and reflections, as we follow her from Ghana to Germany, from Toronto to Budapest, from Paris to New York.
Home --- Psychological aspects. --- Edugyan, Esi --- Travel. --- Canadian Literature / Essay.
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Als Esi Edugyan verschillende musea in Europa bezoekt, loopt ze vol bewondering door verschillende zalen. Alleen de portretkunst uit de achttiende en negentiende eeuw geeft haar een ongemakkelijk gevoel. Na verloop van tijd begrijpt ze waarom: een Zwart persoon wordt altijd in de marge afgebeeld. Als tot slaaf gemaakte, bediende of dienstmeisje, maar zelden als gewoon mens.Geschiedenis is een construct, waarbij er gekozen is verhalen van bepaalde mensen centraal te stellen. Maar waarom zetten we sommige verhalen buitenspel en mythologiseren we andere? Welke sociale en politieke opvattingen bepalen onze herinneringen? Hoe zijn Zwarte verhalen en Zwarte geschiedenis in de kunst verbeeld? Edugyan onderzoekt schilderkunst, film, literatuur en haar eigen ervaringen. Wat gebeurt er als je de verhalen in de marge in het licht zet?Bron: flaptekst
Zwarten in de film --- Zwarten in de schilderkunst --- Zwarten in de literatuur --- Zwarten in de kunst --- American literature --- Thematology --- Zwarte mensen --- Schilderkunst --- Literatuur --- Kunst --- Film --- Identiteit --- Discriminatie
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