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Capital punishment in literature. --- English literature --- American literature --- History and criticism
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This book examines how the cultural and ethical power of literature offered early twentieth-century readers opportunities for thinking through capital punishment in the UK, Ireland and the US in the period between 1890 and 1950. Modern Literature and the Death Penalty, 1890-1950 therefore considers how connections between 'high' and 'popular' culture seem particularly inextricable where the death penalty is at stake. This book will consider a range of forms, including: short stories; pulp fiction; detective fiction; plays; polemic; criminological and psychoanalytic tracts; letters and memoirs by condemned persons and by executioners; and major works of canonical literature by authors including James Joyce, Theodore Dreiser, Elizabeth Bowen, Graham Greene, Flann O'Brien. Cases of the death penalty that sparked particular public debate and had substantial literary influence are explored, including the Roger Casement Case (UK (Ireland) 1916), the Edith Thompson case (UK, 1923) and the Leopold and Loeb case (USA, 1924). .
Human rights --- Literature --- mensenrechten --- literatuur --- anno 1900-1999
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Through examining the work of W. B. Yeats, James Joyce, and Samuel Beckett, Katherine Ebury shows cosmology had a considerable impact on modernist creative strategies, developing alternative reading models of difficult texts such as Finnegans Wake and 'The Trilogy'.
Literature --- Literature, Modern --- British literature --- Astronomy --- Astrophysics --- Cosmology --- British and Irish Literature --- Literary History --- Twentieth-Century Literature --- Astronomy, Astrophysics and Cosmology --- History and criticism --- 20th century
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This book presents a fundamental shift in the way we approach, discuss, and evaluate Joyce’s non-fictional writings. Rather than simply proposing or applying new methodologies, it historicises and reconceives the critical assumptions that have shaped scholarly approaches to these works for over half a decade, showing that non-fiction as a categorical distinction, no matter how sensible it appears, crumbles under closer inspection. Bringing into conversation a group of key Joyce scholars, this volume acts not only as a vital reimagining of our critical relationship to Joyce’s non-fiction, but as a contribution to similar debates being carried out across the broad range of modernist studies.
Literature. --- Literature, Modern --- British literature. --- Twentieth-Century Literature. --- British and Irish Literature. --- Literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- 20th century. --- Joyce, James, --- Criticism and interpretation. --- Literature, Modern-20th century. --- Literature, Modern—20th century.
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Human rights --- Literature --- mensenrechten --- literatuur --- anno 1900-1999
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This book presents a fundamental shift in the way we approach, discuss, and evaluate Joyce’s non-fictional writings. Rather than simply proposing or applying new methodologies, it historicises and reconceives the critical assumptions that have shaped scholarly approaches to these works for over half a decade, showing that non-fiction as a categorical distinction, no matter how sensible it appears, crumbles under closer inspection. Bringing into conversation a group of key Joyce scholars, this volume acts not only as a vital reimagining of our critical relationship to Joyce’s non-fiction, but as a contribution to similar debates being carried out across the broad range of modernist studies.
English literature --- Literature --- literatuur --- Engelse literatuur --- anno 1900-1999 --- Great Britain --- Ireland --- Non-fiction --- Joyce, James
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