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Film --- United States --- War films --- #SBIB:309H1320 --- #SBIB:309H1326 --- History and criticism. --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- History and criticism --- War films - United States - History and criticism --- United States of America
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Film --- film --- Wollen Peter --- Metz Christian --- Burch Noël --- semiologie --- semiotiek --- structuralisme --- gender studies --- feminisme --- Haskell Molly --- Sarris Andrew --- Kauffmann Stanley --- Kael Pauline --- Warshow Robert --- Agee James --- Kracauer Siegfired --- Bazin André --- Arnheim Rudolf --- Balász Béla --- Eisenstein Sergei --- Pudovkin Vsevolod --- Kuleshov Lev --- 791.41 --- filmkritiek --- filmtheorie --- Motion picture plays --- -Motion pictures --- -Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- History and criticism --- Philosophy --- -History and criticism --- Motion pictures
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Robert T. Eberwein uses a hypothesis from psychoanalytic theory to explore the frequently noticed similarity between dreaming and watching a film. His comprehensive study of the relationship between films and dreams explains the film screen as a psychic structure.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Dreams --- Motion picture plays --- Motion pictures --- Psychoanalysis and motion pictures --- #SBIB:309H523 --- 791.41 --- dromen --- film --- film en psychoanalyse --- filmtheorie --- psychoanalyse --- 791.45.073 --- 791.45.073 Bioscoopbezoekers. Filmliefhebbers. Filmpubliek. Cinefielen. Filmclubs --- Bioscoopbezoekers. Filmliefhebbers. Filmpubliek. Cinefielen. Filmclubs --- Motion pictures and psychoanalysis --- Dreaming --- Subconsciousness --- Visions --- Sleep --- History and criticism --- Psychological aspects --- Audiovisuele communicatie: verhaalanalyse --- Dreams. --- Psychoanalysis and motion pictures. --- Psychological aspects. --- History and criticism.
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In war films, the portrayal of deep friendships between men is commonplace. Given the sexually anxious nature of the American imagination, such bonds are often interpreted as carrying a homoerotic subtext. In Armed Forces , Robert Eberwein argues that an expanded conception of masculinity and sexuality is necessary in order to understand more fully the intricacy of these intense and emotional human relationships. Drawing on a range of examples from silent films such as What Price Glory and Wings to sound era works like The Deer Hunter, Platoon, Three Kings, and Pearl Harbor , he shows how close readings of war films, particularly in relation to their cultural contexts, demonstrate that depictions of heterosexual love, including those in romantic triangles, actually help to define and clarify the nonsexual nature of male love. The book also explores the problematic aspects of masculinity and sexuality when threatened by wounds, as in The Best Years of Our Lives, and considers the complex and persistent analogy between weapons and the male body, as in Full Metal Jacket and Saving Private Ryan .
Masculinity in motion pictures. --- Male friendship in motion pictures. --- War films --- Motion pictures --- History and criticism.
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Robert T. Eberwein uses a hypothesis from psychoanalytic theory to explore the frequently noticed similarity between dreaming and watching a film. His comprehensive study of the relationship between films and dreams explains the film screen as a psychic structure.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Psychoanalysis and motion pictures. --- Dreams. --- Motion picture plays --- Motion pictures --- Motion pictures and psychoanalysis --- Dreaming --- Subconsciousness --- Visions --- Sleep --- History and criticism. --- Psychological aspects.
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