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When Elizabeth Rigby (1809-1893) embarked on her travels to the Baltic states in 1838, she was already a published author. She was to play a significant role as a writer and public figure throughout the nineteenth century. Originally published in 1841 as two separate volumes, this book is a compilation of letters written to her mother during her journey to Estonia. Travelling alone was an unusual undertaking for a single woman at the time, and here she demonstrates her ability to provide detailed descriptions of the life and places she experiences. The first volume describes her journey to Reval (Tallinn) in Estonia, where she will stay with her sister. The second offers her fascinating insights into the political and social life of Estonia in the mid-nineteenth century, combining personal observations and historical facts.
Eastlake, Elizabeth, --- Travel --- Estonia --- Description and travel. --- Social life and customs --- Eastlake, --- Author of Letters from the Baltic, --- Letters from the Baltic, Author of, --- Rigby, Elizabeth, --- E.N.S.V. --- Eesti --- Eesti Nõukogude Sotsialistik Vabariik --- Eesti NSV --- Eesti Vabariik --- Ehstland --- ENSV --- Esthland --- Esthonia --- Estland --- Estonian S.S.R. --- Estonian Soviet Socialist Republic --- Estonian SSR --- Ėstonii︠a︡ --- Estonija --- Ėstonskai︠a︡ S.S.R. --- Ėstonskai︠a︡ Sovetskaia Sot︠s︡ialisticheskaia Respublika --- Ėstonskai︠a︡ SSR --- Estonskaya S.S.R. --- Estonskaya Sovetskaya Sot︠s︡ialisticheskaya Respublika --- Estonskaya SSR --- R.P.S.S. Estonia --- Republic of Estonia --- RPSS Estonia --- Viro --- Эстония --- Ėstli︠a︡ndskai︠a︡ gubernīi︠a︡ (Russia) --- Ostland --- Description and travel
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This four-volume work by Gustav Friedrich Waagen (1794-1868), edited and translated by Lady Eastlake (1809-93), was published between 1854 and 1857. As Waagen explains in his preface to the first volume, he had previously published an account of his experiences on his first visit to Britain in 1835, but this new and longer work was addressed primarily to a British audience. It also differs in that the earlier work was more of a general travelogue, whereas these volumes, after an introductory essay, provide a more detailed catalogue - albeit in epistolary form - of works of art in public and private collections. Waagen was crucial to the adoption in Britain of the new approach to art history pioneered by German scholars, and his work is still consulted on matters of provenance and quality. Volume 2 describes the artworks in Buckingham Palace, Apsley House and other private collections in London.
Art museums --- Art --- Private collections --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Galleries and museums --- Art, Primitive
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The German artist Johann David Passavant visited Britain in 1831 in order to examine works by Raphael in private and public galleries for a book he was preparing. He had not been able to find any helpful German accounts of British collections, & so decided to publish a narrative of his own travels & observations. The British writer & art critic Elizabeth Rigby (later Lady Eastlake) produced a two-volume translation in 1836, believing that English readers would benefit from Passavant's descriptions of little-known collections in their own country, as well as from his practitioner's response to the works themselves. Volume 1 covers the National Gallery, the Royal Academy & the royal collections at Buckingham & Kensington Palaces, Windsor Castle & Hampton Court, as well as the private galleries of aristocrats & wealthy commoners in London & the home counties, ending with the colleges of Oxford.
Art --- Private collections --- Passavant, Johann David, --- Travel --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive
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Later known as Lady Eastlake, the writer Elizabeth Rigby (1809-93) travelled widely in her early years, and subsequently moved in the highest literary and artistic circles. After an illness in 1827 she was taken abroad to recover, and her encounters with European art led to her writing career. In 1849, she married the painter Charles Eastlake, who became the director of the National Gallery and president of the Royal Academy. Continuing to write, especially for the Quarterly Magazine, on literature and art, she spent part of each year touring galleries and private collections across Europe. This engaging two-volume work of 1895, edited by her nephew and full of shrewd judgements on art and on people, is compiled from her journals and letters. Volume 2, covering the period from 1854 to her death, concludes with a reminiscence by one of her closest friends, the illustrator and author Eleanor Vere Boyle.
Authors, English --- Eastlake, Elizabeth, --- Eastlake, --- Author of Letters from the Baltic, --- Letters from the Baltic, Author of, --- Rigby, Elizabeth,
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This four-volume work by Gustav Friedrich Waagen (1794-1868), edited and translated by Lady Eastlake (1809-93), was published between 1854 and 1857. As Waagen explains in his preface, he had previously published an account of his experiences on his first visit to Britain in 1835, but this new and longer work was addressed primarily to a British audience. It also differs in that the earlier work was more of a general travelogue, whereas these volumes provide a more detailed catalogue - albeit in epistolary form - of works of art in public and private collections. Waagen was crucial to the adoption in Britain of the new approach to art history pioneered by German scholars, and his work is still consulted on matters of provenance. After an essay on the history of art collecting in Britain, Volume 1 describes the treasures of the British Museum, the National Gallery and the Royal Academy.
Art museums --- Art --- Private collections --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Galleries and museums --- Art, Primitive
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This four-volume work by Gustav Friedrich Waagen (1794-1868), edited and translated by Lady Eastlake (1809-93), was published between 1854 and 1857. As Waagen explains in his preface, he had previously published an account of his experiences on his first visit to Britain in 1835, but this new and longer work was addressed primarily to a British audience. It also differs in that the earlier work was more of a general travelogue, whereas these volumes provide a more detailed catalogue - albeit in epistolary form - of works of art in public and private collections. Waagen was crucial to the adoption in Britain of the new approach to art history pioneered by German scholars, and his work is still consulted on matters of provenance. Volume 4 is a supplement describing more works in the British Museum and National Gallery, as well as private collections including that of the Prince Consort.
Art museums --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Private collections --- Galleries and museums --- Art, Primitive
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Later known as Lady Eastlake, the writer Elizabeth Rigby (1809-93) travelled widely in her early years, and subsequently moved in the highest literary and artistic circles. After an illness in 1827 she was taken abroad to recover, and her encounters with European art led to her writing career. In 1849, she married the painter Charles Eastlake, who became the director of the National Gallery and president of the Royal Academy. Continuing to write, especially for the Quarterly Magazine, on literature and art, she spent part of each year touring galleries and private collections across Europe. This engaging two-volume work of 1895, edited by her nephew and full of shrewd judgements on art and on people, is compiled from her journals and letters. Volume 1 describes Eastlake's early life: the extracts from her journals end in 1854 with her impressions of the reopening of the Crystal Palace at Sydenham.
Authors, English --- Eastlake, Elizabeth, --- Eastlake, --- Author of Letters from the Baltic, --- Letters from the Baltic, Author of, --- Rigby, Elizabeth,
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