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As a courtier, figure of fashion, and object of erotic fascination, Anthony van Dyck (1599-1641) transformed the professional identities available to English artists. By making his portrait sittings into a form of courtly spectacle, Van Dyck inspired poets and playwrights at the same time that he offended guardians of traditional hierarchies. A self-consciously Van Dyckian lineage of artists, many of them women, extends from his lifetime to the end of the eighteenth century and beyond.0 Recovering the often surprising responses of both writers and painters to Van Dyck's portraits, this book provides an alternative perspective on English art's historical self-consciousness. Built around a series of close readings of artworks and texts ranging from poems and plays to early biographies and studio gossip, it traces the reception of Van Dyck's art on the part of artists like Mary Beale, William Hogarth, and Richard and Maria Cosway to bestow a historical specificity on the frequent claim that Van Dyck founded an English school of portraiture
Painting --- influence --- portraits --- Dyck, van, Anthony --- England --- Portrait painting, English --- Van Dyck, Anthony, --- van Dyck, Anthony --- Dyck, Anthony van --- Van Dyck, Anthonie, --- Van Dyck, Antoon --- Van-Deĭk, Antoni --- Deĭk, Antoni van --- Dyck, Antoine van --- Van Dyck, Anton --- Van Dyck, Antoine --- Van Dijck, Anthonie --- Van Dijck, Anton --- Van Dijck, Antonie --- Van Dijck, Antoon --- Vandyke, Anthony --- Dyck, Anthonie van --- Dyck, Antoon van --- Dyck, Anton van --- Van Dyck, Anthonis --- Van Daĭk, Antonis --- Daĭk, Antonis van --- Ṿan Daiḳ, Anṭon --- Vandeik, Antoine --- Van Dyck, Antonio --- Vandyck, Anthony --- Influence. --- English portrait painting --- Engelse school --- receptiegeschiedenis --- Van Dyck, Anthony , --- Portrait painting, English. --- Flemish influences. --- Portraits (peinture)
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Painting --- painting [image-making] --- portraits --- Dyck, van, Anthony
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figuurhouding --- portraits --- Dyck, van, Anthony --- anno 1600-1699 --- England
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book review --- Hendrik IV-reeks --- Henry IV [King of France] --- Rubens, Peter Paul
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portraits --- schoonheid (vrouw) --- Medici, de', Maria [Queen of France] --- Rubens, Peter Paul --- Fourment, Helena --- Mantua, Palazzo Ducale --- Medici [serie] --- Gonzague, Vincente Mantua [hertog van] --- Ducal Palace [Mantua]
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Art --- art theory --- portraits --- Dyck, van, Anthony --- Rubens, Peter Paul
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Ruling successively from 1485 through 1603, the five Tudor monarchs changed England indelibly, using the visual arts to both legitimize and glorify their tumultuous rule-from Henry VII's bloody rise to power, through Henry VIII's breach with the Roman Catholic Church, to the reign of the "virgin queen" Elizabeth I. With incisive scholarship and sumptuous new photography, the book explores the politics and personalities of the Tudors, and how they used art in their diplomacy at home and abroad. Tudor courts were truly cosmopolitan, attracting artists and artisans from across Europe, including Hans Holbein the Younger (1497/8-1543), Jean Clouet (ca. 1485-1540), and Benedetto da Rovezzano (1474-1552). At the same time, the Tudors nurtured local talent such as Isaac Oliver (ca. 1565-1617) and Nicholas Hilliard (ca. 1547-1619) and gave rise to a distinctly English aesthetic that now defines the visual legacy of the dynasty. This book reveals the true history behind a family that has long captured the public imagination, bringing to life the extravagant and politically precarious world of the Tudors through the exquisite paintings, lush textiles, gleaming metalwork, and countless luxury objects that adorned their spectacular courts. Exhibition: Metropolitan Museum of Art, New York, USA (3.10.2022-08.01.2023) / The Cleveland Museum of Art, Cleveland, USA (26.02-14.05.2023) / FAMSF, San Francisco , USA (24.06-24.09.2023).
Art --- History of civilization --- Tudor [Dynasty] --- History of the United Kingdom and Ireland --- anno 1500-1799 --- Art, Tudor --- Art, Renaissance --- Tudor, House of --- Great Britain --- History --- Court and courtiers --- hofcultuur --- Art tudor --- Art de la Renaissance --- ART / History / Renaissance. --- Art, Renaissance. --- Art, Tudor. --- Courts and courtiers. --- Tudor, Maison de --- Tudor, House of. --- 1485-1603 --- Grande-Bretagne --- England. --- Great Britain. --- Histoire --- Cour et courtisans
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Dyck, van, Anthony --- painting [image-making] --- portraits --- Exhibitions --- portretten --- iconografie --- Dyck, Anthony van --- Van Dyck, Anthony --- van Dyck, Anthony --- Van Dyck, Anthonie, --- Van Dyck, Antoon --- Van-Deĭk, Antoni --- Deĭk, Antoni van --- Dyck, Antoine van --- Van Dyck, Anton --- Van Dyck, Antoine --- Van Dijck, Anthonie --- Van Dijck, Anton --- Van Dijck, Antonie --- Van Dijck, Antoon --- Vandyke, Anthony --- Dyck, Anthonie van --- Dyck, Antoon van --- Dyck, Anton van --- Van Dyck, Anthonis --- Van Daĭk, Antonis --- Daĭk, Antonis van --- Ṿan Daiḳ, Anṭon --- Vandeik, Antoine --- Van Dyck, Antonio --- Vandyck, Anthony --- portretten. --- iconografie. --- van Dyck, Anthony.
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