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Book
Van Dyck and the making of English portraiture
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ISBN: 9781913107345 1913107345 Year: 2022 Publisher: London Paul Mellon Centre for Studies in British Art

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As a courtier, figure of fashion, and object of erotic fascination, Anthony van Dyck (1599-1641) transformed the professional identities available to English artists. By making his portrait sittings into a form of courtly spectacle, Van Dyck inspired poets and playwrights at the same time that he offended guardians of traditional hierarchies. A self-consciously Van Dyckian lineage of artists, many of them women, extends from his lifetime to the end of the eighteenth century and beyond.0 Recovering the often surprising responses of both writers and painters to Van Dyck's portraits, this book provides an alternative perspective on English art's historical self-consciousness. Built around a series of close readings of artworks and texts ranging from poems and plays to early biographies and studio gossip, it traces the reception of Van Dyck's art on the part of artists like Mary Beale, William Hogarth, and Richard and Maria Cosway to bestow a historical specificity on the frequent claim that Van Dyck founded an English school of portraiture.


Book
The Rubenianum welcomes Van Dyck student Adam Eaker
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Year: 2012

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Van Dyck between master and model
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Year: 2015

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Book
Van Dyck : the anatomy of portraiture
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Year: 2015 Publisher: New York The Frick Collection

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Book
The scene of the sitting in early modern England
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Year: 2018

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Digital
[Boekbespr.] "Rubens : The Henri IV Series", Alexis Merle du Bourg
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Year: 2019

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Rubens and the gallery of beauties
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Digital
Lore of the studio : Van Dyck, Rubens, and the status of portraiture
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Year: 2016 Publisher: New York Columbia University

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Book
The theater of queenship
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Year: 2024

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Book
Gesina ter Borch
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ISBN: 1848225202 9781848225206 Year: 2024 Publisher: London Getty Publications

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"Gesina ter Borch (1631–1690), a Dutch watercolorist and draftswoman—and the younger half-sister of painter Gerard ter Borch (1617–1681)—is one of the most well-known women artists of the seventeenth-century Dutch Republic. Her oeuvre is securely attributed and thoroughly catalogued, with three albums of her watercolors and calligraphy known today; surprisingly, though, she has never been the subject of an independent monograph or sustained discussion. This volume is the first to highlight her watercolors and calligraphy in their own right, alongside documentation of her work as an art teacher, archivist, and artist’s model.Adam Eaker revisits Ter Borch’s role during the genesis of Dutch “high-life” genre painting and, in doing so, examines the construction of gender and social classes by comparing her art with that of her brother. In this monograph, Eaker questions a historiography of women’s art that frequently valorizes painting over other media and values work for the market over “amateur” production. Gesina ter Borch offers a fascinating exploration of Ter Borch’s life and work and a more nuanced understanding of the ideologies and achievements of Dutch genre painting." --

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