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Shakespeare, William --- Granville-Barker, Harley --- Lear, King (Legendary character), in literature. --- Theater --- History
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Une étude de la sémiotique deleuzienne telle qu'elle s'exprime dans Cinéma. L'auteure interroge la cohérence d'une pensée recourant à deux philosophes jugés incompatibles pour construire une taxonomie des images et des signes filmiques : Henri Bergson et Charles Peirce. ©Electre 2015
Motion pictures --- Cinéma --- Semiotics --- Sémiotique --- Deleuze, Gilles, --- Criticism and interpretation --- Philosophy --- Cinéma --- Sémiotique --- Criticism and interpretation. --- Motion pictures - Philosophy --- Motion pictures - Semiotics --- Deleuze, Gilles, - 1925-1995
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Scholars, amateur historians and actors have shaped theatre history in different ways at different times and in different places. This Companion offers students and general readers a series of accessible and engaging essays on the key aspects of studying and writing theatre history. The diverse international team of contributors investigates how theatre history has been constructed, showing how historical facts are tied to political and artistic agendas and explaining why history matters to us. Beginning with an introduction to the central narrative that traditionally informs our understanding of what theatre is, the book then turns to alternative points of view - from other parts of the world and from the perspective of performers in fields such as music-theatre and circus. It concludes by looking at how history is written in the 'democratic' age of the Internet and offers a new perspective on theatre history in our globalised world.
History --- Theatrical science --- Theater --- Théâtre --- History. --- Histoire --- Historiographie --- Théâtre --- Historiographie. --- Histoire. --- 725 --- 792 --- 82-2 --- 82-2 Toneel. Drama --- Toneel. Drama --- 82-2 Drama. Plays --- Drama. Plays --- 792 Theater. Theaterwetenschap. Toneel --- Theater. Theaterwetenschap. Toneel --- 792 Theatre. Stagecraft. Dramatic performances --- Theatre. Stagecraft. Dramatic performances --- 725 Burgerlijke bouwkunst. Civiele bouwkunst. Wereldlijke bouwkunst --- Burgerlijke bouwkunst. Civiele bouwkunst. Wereldlijke bouwkunst
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English drama --- Amerikaanse literatuur --- Engelse literatuur --- Toneel --- Amerika --- Kunst --- Azië --- Nederland --- China --- Autisme --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Maatschappij --- Theater --- Geschiedenis --- Voorlichting --- Literatuur
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A cofounder of the Provincetown Players - the group that acted as midwife to the American theatre - Susan Glaspell (1876-1948) can also lay claim to be a major figure in her own right. Her early plays were in many respects as challenging and original as those with which O'Neill made his debut. Her concern with language as subject, with character as an expression of social role, with plot as a mechanism that may ensnare rather than locate the self, mode her very much a modern. In Trifles (1916) she developed a feminist critique of social role. In The Outside (1917) she staged a debate between the life force and a perverse celebration of death. In both plays silence becomes an eloquent expression of meaning. The Verge (1921) is an experimental work of considerable proportions, more daring in many ways than anything attempted by O'Neill. Though Inheritors (1921) is far more conventional it touched a contemporary nerve, questioning the nature and reality of American pieties. Long known only for a single play, Susan Glaspell now emerges as a significant figure in the history of American drama, a woman of genuine creative daring.
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