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Business cycles --- Capitalism --- High technology industries --- Information technology --- Socialism --- Technological innovations --- #SBIB:316.21H22 --- Marxism --- Social democracy --- Socialist movements --- Collectivism --- Anarchism --- Communism --- Critical theory --- Industries --- Market economy --- Economics --- Profit --- Capital --- Economic cycles --- Economic fluctuations --- Cycles --- Economic aspects --- Theoretische sociologie: neo-Marxisten --- Technologie de l'information --- Aspect économique. --- INDUSTRIES DE POINTE --- INNOVATIONS --- CAPITALISME --- SOCIALISME --- CYCLES ECONOMIQUES --- ASPECT ECONOMIQUE

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Sociology of culture --- Mass communications --- Capitalism --- Imperialism --- Video games --- 82:62 --- Television games --- Videogames --- Electronic games --- Colonialism --- Empires --- Expansion (United States politics) --- Neocolonialism --- Political science --- Anti-imperialist movements --- Caesarism --- Chauvinism and jingoism --- Militarism --- 82:62 Literatuur en technologie --- Literatuur en technologie --- Social aspects --- Economic aspects --- Computer games --- Internet games --- Games

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In a marketplace that demands perpetual upgrades, the survival of interactive play ultimately depends on the adroit management of negotiations between game producers and youthful consumers of this new medium. The authors suggest a model of expansion that encompasses technological innovation, game design, and marketing practices. Their case study of video gaming exposes fundamental tensions between the opposing forces of continuity and change in the information economy: between the play culture of gaming and the spectator culture of television, the dynamism of interactive media and the increasingly homogeneous mass-mediated cultural marketplace, and emerging flexible post-Fordist management strategies and the surviving techniques of mass-mediated marketing. Digital Play suggests a future not of democratizing wired capitalism but instead of continuing tensions between "access to" and "enclosure in" technological innovation, between inertia and diversity in popular culture markets, and between commodification and free play in the cultural industries.

Video games --- Economic aspects. --- Social aspects. --- Electronic games industry --- Electronic games --- Social aspects --- E-books --- Electronic books. --- Electronic games -- Social aspects. --- Electronic games industry. --- Industries --- Recreation & Sports --- Business & Economics --- Social Sciences --- Television games --- Videogames --- Economic aspects --- Electronic toys --- Games --- Electronic industries --- Toy industry --- Computer games --- Internet games --- Computer games industry --- Internet games industry --- Video game industry --- Video games industry.

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Art --- Cinéma. --- Digital media. --- Interactive multimedia. --- Motion pictures. --- Multimédias interactifs. --- Médias numériques. --- Technologie et arts. --- Technology and the arts. --- Motion pictures --- Cinéma --- Médias numériques --- Multimédias interactifs --- Technologie et arts --- Aesthetics --- Esthétique

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Social sciences (general)