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Drawing --- Painting --- Pencz, Jorg

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altarpieces --- Pasture, de le, Roger

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Die jungen Wilden der sogenannten »Donauschule« waren vertraut mit Albrecht Dürers mathematisch konstruiertem Menschenbild und seinem geradezu wissenschaftlichen Naturinteresse – und setzten dagegen die Freiheit des Fantastischen. In Imaginationen einer ungebändigten Natur und mit heftig bewegten Figuren ohne die Fesseln korrekter Anatomie suchten sie Ausdrucksstärke und Dramatik. Der expressive Impetus prägte das darstellerische Interesse dieser Maler, Bildhauer und Grafiker wesentlich und spiegelt sich in vielen gestalterischen Eigenarten: Forcierte Lichterscheinungen, Ornamentalisierungen oder Verzerrungen finden Eingang in die bildnerischen Ideen der Kunst um 1500.

Altdorfer, Albrecht --- fantastische kunst --- Leinberger, Hans --- Huber, Wolf --- Meister IP --- 1500 --- Sculpture --- Painting --- Graphic arts --- humanisme --- 15de eeuw --- 16de eeuw --- Peinture de la Renaissance --- Peinture de la Renaissance. --- humanisme. --- fantastische kunst. --- Altdorfer, Albrecht. --- Leinberger, Hans. --- Huber, Wolf. --- Meister IP. --- 1500. --- 15de eeuw. --- 16de eeuw. --- Vigée-Le Brun, Elisabeth.

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The Berlin Gemäldegalerie houses an internationally outstanding collection of early Netherlandish and French paintings. This scholarly catalogue is dedicated to the works of the pioneer generation, i.e. those artists who began their career in or before the second third of the fifteenth century. In 52 entries, 69 individual paintings are discussed. All the important masters of the period are represented, many of them with major works - such as the Madonna in the Church by Jan van Eyck, the Miraflores Altarpiece by Rogier van der Weyden, the donor panel of Étienne Chevalier by Jean Fouquet, the only known painting by the early Dutch master Albert van Ouwater or the Montforte Altarpiece by Hugo van der Goes. The individual entries are based on art-historical and technological investigations and were written in an interdisciplinary collaboration. This richly illustrated publication presents a wealth of new insights into both the well-known works, and panels that had received less attention in former times. La Gemäldegalerie de Berlin abrite une collection de peintures anciennes néerlandaises et françaises d'une importance internationale. Ce catalogue érudit est consacré aux œuvres de la génération des pionniers, c'est-à-dire aux artistes qui ont commencé leur carrière au cours du deuxième tiers du XVe siècle ou avant. En 52 entrées, 69 peintures individuelles sont abordées. Tous les grands maîtres de l'époque sont représentés, dont beaucoup avec des œuvres majeures - comme la Madone dans l'église de Jan van Eyck, le Retable de Miraflores de Rogier van der Weyden, le panneau du donateur d'Étienne Chevalier de Jean Fouquet, le seul tableau connu du premier maître néerlandais Albert van Ouwater ou le Retable de Montforte d'Hugo van der Goes. Les notices individuelles sont le fruit de recherches en histoire de l'art et scientifiques et ont été rédigées dans le cadre d'une collaboration interdisciplinaire. Cette publication richement illustrée présente une multitude d'informations inédites sur les œuvres les plus connues et sur les panneaux qui ont été moins étudiés par le passé.

(Produktform)Hardback --- (Produktform (spezifisch))Sewn --- Malerei --- niederländisch --- französisch --- Berliner Sammlung --- (VLB-WN)1580: Hardcover, Softcover / Kunst

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Presenting Albrecht Dürer’s art alongside the work of his predecessors and contemporaries, this exhaustive survey allows readers to fully grasp the significance of his artistic achievement. This magnificent volume considers every aspect of Albrecht Dürer’s astonishing oeuvre. Thematically arranged, the selection of paintings, drawings, prints, and illustrated books comprise a highly diverse and accomplished body of work. In orderto fully understand Dürer’s reputation as one of the most important artists of his time, this volume also includes works by his predecessors and contemporaries. By comparing and contrasting these works, and by understanding Dürer’s influences and inspirations, readers can see for themselves the technical prowess and emotional power of Dürer’s art. Interspersed throughout the book are fascinating essays that address such topics as Italian influences on Dürer’s art, the Heller Altarpiece, his workshop, his journey to the Netherlands, and his role as inventor of the humanist iconography.

Dürer, Albrecht --- Painters --- Engravers --- Painting, Renaissance --- Engraving, Renaissance --- Peintres --- Graveurs --- Peinture de la Renaissance --- Gravure de la Renaissance --- Exhibitions --- Expositions --- Dürer, Albrecht, --- Exhibitions. --- renaissance --- 16de eeuw --- 76 DÜRER, ALBRECHT --- 76 <43> "15" --- Grafische kunsten. Grafiek. Prentkunst--DÜRER, ALBRECHT --- Grafische kunsten. Grafiek. Prentkunst--Duitsland voor 1945 en na 1989--16e eeuw. Periode 1500-1599 --- 76 DÜRER, ALBRECHT Grafische kunsten. Grafiek. Prentkunst--DÜRER, ALBRECHT --- 76 <43> "15" Grafische kunsten. Grafiek. Prentkunst--Duitsland voor 1945 en na 1989--16e eeuw. Periode 1500-1599 --- kunst --- art [fine art] --- Dürer, Albrecht, --- Art, Renaissance --- Art, Renaissance. --- Dürer, Albrecht. --- Duitsland. --- Europe, Northern. --- Germany. --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Dürer, Albrecht, - 1471-1528 - Exhibitions --- Dürer, Albrecht, - 1471-1528 --- 16de eeuw. --- art [discipline] --- DÜRER (ALBRECHT), 1471-1528