Listing 1 - 10 of 28 | << page >> |
Sort by
|
Choose an application
This chapter considers early modern academic drama performed at St John’s College, Oxford. Dutton begins by describing the college household materials on which such performances drew, adopting a productively broad definition of this category that includes the people working, studying, and teaching at St John’s, as well as their immediate neighbours in town; the college’s domestic furnishings, such as tables, paintings, and candles; the matter covered there in lectures; and the university’s own medieval foundations. Working first from a text now known as The Christmas Prince, a richly informative but often overlooked account of the 1607–1608 Christmas festivities at St John’s, Dutton describes the financing of the St John’s plays as well as the practicalities associated with their staging and rehearsal and with the sourcing of actors. In the productions performed as part of the Christmas Prince celebrations as well as in the earlier and later examples of St John’s college drama that Dutton examines, the college play emerges as a means of reaffirming and celebrating the local, collegiate culture as well as constituting an interface with the outside world across which people and ideas might move both into and out of the college household.
Choose an application
This chapter considers early modern academic drama performed at St John’s College, Oxford. Dutton begins by describing the college household materials on which such performances drew, adopting a productively broad definition of this category that includes the people working, studying, and teaching at St John’s, as well as their immediate neighbours in town; the college’s domestic furnishings, such as tables, paintings, and candles; the matter covered there in lectures; and the university’s own medieval foundations. Working first from a text now known as The Christmas Prince, a richly informative but often overlooked account of the 1607–1608 Christmas festivities at St John’s, Dutton describes the financing of the St John’s plays as well as the practicalities associated with their staging and rehearsal and with the sourcing of actors. In the productions performed as part of the Christmas Prince celebrations as well as in the earlier and later examples of St John’s college drama that Dutton examines, the college play emerges as a means of reaffirming and celebrating the local, collegiate culture as well as constituting an interface with the outside world across which people and ideas might move both into and out of the college household.
Choose an application
This chapter considers early modern academic drama performed at St John’s College, Oxford. Dutton begins by describing the college household materials on which such performances drew, adopting a productively broad definition of this category that includes the people working, studying, and teaching at St John’s, as well as their immediate neighbours in town; the college’s domestic furnishings, such as tables, paintings, and candles; the matter covered there in lectures; and the university’s own medieval foundations. Working first from a text now known as The Christmas Prince, a richly informative but often overlooked account of the 1607–1608 Christmas festivities at St John’s, Dutton describes the financing of the St John’s plays as well as the practicalities associated with their staging and rehearsal and with the sourcing of actors. In the productions performed as part of the Christmas Prince celebrations as well as in the earlier and later examples of St John’s college drama that Dutton examines, the college play emerges as a means of reaffirming and celebrating the local, collegiate culture as well as constituting an interface with the outside world across which people and ideas might move both into and out of the college household.
Choose an application
Julian of Norwich --- 248 JULIANA DE NORWICH --- Spiritualiteit. Ascese. Mystiek. Vroomheid--JULIANA DE NORWICH --- Devotional literature, English (Middle) --- Visions --- Parapsychology --- Religion --- Visionaries --- Devotional literature, English --- Devotional literature, Middle English --- English devotional literature, Middle --- Middle English devotional literature --- English literature --- Influence --- History --- Julian,
Choose an application
Compilation and miscellany manuscripts were widely owned in the late middle ages, by both the laity and the clergy. Here, their possible influence on Julian of Norwich's 'Revelations' is explored. The book argues that formal features of compilation are evident in the text, deployed by Julian to give authority and didactic force to the theological debate in which she is engaged. Combining study of compilation manuscripts and manuscripts of the 'Revelations' with structural analysis, it suggests important new ways of reading the 'Revelations', and makes a strong case for compilation as a literary form with creative potential. Dr ELISABETH DUTTON is Senior Research Fellow, Worcester College, University of Oxford.
Visions --- Devotional literature, English (Middle) --- Devotional literature, English --- Devotional literature, Middle English --- English devotional literature, Middle --- Middle English devotional literature --- English literature --- Parapsychology --- Religion --- Visionaries --- History --- Influence. --- Julian, --- Mysticism --- History. --- Dark night of the soul --- Mystical theology --- Theology, Mystical --- Spiritual life --- Negative theology --- Compilation Manuscripts. --- Late-Medieval Manuscripts. --- Literary Form. --- Theological Debate.
Choose an application
Hadewijch --- Hadewijch d'Anvers --- Hadewijch van Antwerpen --- Mystiek --- Mystique --- Hadewijch, --- Criticism and interpretation. --- Academic collection --- Hadewich, --- Hadewych, --- C1 --- mystiek --- Jezuïeten - Noord-Belgische provincie (1935-) --- begijnen --- Kerken en religie --- Hadewych --- Hadewijch, - 13th cent. - Criticism and interpretation. --- Spiritualité --- Biographie --- Critique et interprétation --- Église catholique --- 13e siècle --- Hadewijch, - 13th cent.
Choose an application
Devotional literature, English (Middle) --- Mysticism --- 248 JULIANA DE NORWICH --- Devotional literature, English --- Devotional literature, Middle English --- English devotional literature, Middle --- Middle English devotional literature --- English literature --- Dark night of the soul --- Mystical theology --- Theology, Mystical --- Spiritual life --- Negative theology --- History&delete& --- Sources --- Spiritualiteit. Ascese. Mystiek. Vroomheid--JULIANA DE NORWICH --- Christian spirituality --- History
Choose an application
This series provides a premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic mystery cycles, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays.
Theater --- History. --- East Anglian drama. --- Easter play. --- Ipswich. --- Iran. --- Performance. --- audience participation. --- convent. --- mystery plays. --- nuns. --- History
Choose an application
Choose an application
Listing 1 - 10 of 28 | << page >> |
Sort by
|