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Ecole de Francfort --- Philosophie de l'histoire --- phénoménologie
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art [fine art] --- museology --- Museology --- Art --- anno 1900-1999 --- Art, Modern --- Art museums --- Muséologie --- Philosophy. --- Musées --- Philosophie --- Histoire --- Museum techniques --- Congresses --- Evaluation --- art [discipline]
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*De kunst van kritiek* brengt teksten bijeen van internationale Adorno-kenners die de vraag naar de actualiteit van radicale cultuurkritiek centraal stellen. De teksten zijn gegroepeerd rondom een van de belangrijkste essays van Adorno, 'Het essay als vorm'. Het essay is volgens Adorno de kritische vorm bij uitstek. Het behoudt, trouw aan de oorspronkelijke betekenis van 'proef' of 'probeersel', altijd iets voorlopigs - en juist daaruit put het zijn kritisch vermogen. Deze opvatting keert terug in de bijdragen van Alexander Garcia Düttmann, Josef Früchtl, Samir Gandesha, Martin Jay, Cecilia Sjöholm en Shierry Weber-Nicholsen en in die van de redacteuren van *De kunst van kritiek*, Johan Hartle en Thijs Lijster.
kunst --- 7.01 --- 130.2 --- antisemitisme --- racisme --- Chaplin Charles --- filmtheorie --- film --- literatuur --- literatuurtheorie --- Kafka Franz --- taalfilosofie --- filsofie --- geschiedenis --- esthetica --- kunsttheorie --- cultuurfilosofie --- Adorno Theodor W. --- philosophy --- art criticism --- antisemitism --- kunstfilosofie --- essays --- Aesthetics --- authenticity --- Adorno, Theodor W. --- Adorno Theodor W
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Poetic critique - is that not an oxymoron? Do these two forms of behavior, the poetic and the critical, not pull in different, even opposite, directions? For many scholars working in the humanities today, they largely do, but that has not always been the case. Friedrich Schlegel, for one, believed that critique worthy of its name must itself be poetic. Only then would it stand a chance of responding adequately to the work of art. Taking Schlegel's idea of poetische Kritik as a starting point, this volume reflects on the possibility of drawing these alleged opposites closer together. In light of current debates about the legacy of critique, it investigates whether a concept such as poetic critique (or poetic criticism) lends itself to enriching our intellectual practice by engaging with the poetic potential of criticism and the critical value of art and literature.
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