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Aesthetics of art --- Film --- Poetry --- Theory of literary translation
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The Fictions of American Capitalism introduces a new way of thinking about fiction in connection with capitalism, especially American capitalism. These essays demonstrate how fiction fulfills a major function of the American capitalist engine, presenting various formulations of American capitalism from the perspective of economists, social scientists, and literary critics. Focusing on three narratives—fictitious capital, working fictions, and the economic novel—the volume questions whether these three types of fiction can be linked under the sign of capitalism. This collection seeks to illustrate the American economy’s dependence on fictitiousness, America’s ideological fictions, and the nation’s creative literary fiction. In relation to what the credit and banking crisis of 2007–2008 exposed about the “unreal” base of the economy, the volume concludes with a call to recognize the economic humanities, arguing that American fiction and American literary studies can provide a useful mirror for economists. .
American fiction --- Capitalism in literature. --- Capitalism and literature --- History and criticism. --- Literature—History and criticism. --- America—Literatures. --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Fiction. --- Economic history. --- Finance—History. --- Literary History. --- North American Literature. --- Contemporary Literature. --- Economic History. --- Financial History. --- Economic conditions --- History, Economic --- Economics --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Philosophy --- Linguistics --- United States --- America --- Literature, Modern --- Finance. --- History. --- Fiction Literature. --- Funding --- Funds --- Currency question --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Literatures. --- 20th century. --- 21st century. --- Appraisal --- Evaluation --- United States of America
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The Fictions of American Capitalism introduces a new way of thinking about fiction in connection with capitalism, especially American capitalism. These essays demonstrate how fiction fulfills a major function of the American capitalist engine, presenting various formulations of American capitalism from the perspective of economists, social scientists, and literary critics. Focusing on three narratives—fictitious capital, working fictions, and the economic novel—the volume questions whether these three types of fiction can be linked under the sign of capitalism. This collection seeks to illustrate the American economy’s dependence on fictitiousness, America’s ideological fictions, and the nation’s creative literary fiction. In relation to what the credit and banking crisis of 2007–2008 exposed about the “unreal” base of the economy, the volume concludes with a call to recognize the economic humanities, arguing that American fiction and American literary studies can provide a useful mirror for economists. .
Finance --- Fiction --- American literature --- Literature --- World history --- literatuur --- literatuurgeschiedenis --- economische geschiedenis --- sociale interventies --- fantasie (verbeelding) --- anno 1900-1999 --- anno 2000-2099 --- America
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Epen --- Epic --- Epic literature --- Epic poem --- Epic poetry --- Epiek --- Epique --- Epische gedichten --- Epische literatuur --- Epische poëzie --- Epopee --- Epopée --- Epopées --- Epos --- Gedichten (epische) --- Heldendicht --- Heldendichten --- Heldensage --- Heroic poetry --- Littérature épique --- Légende héroique --- Poème épique --- Poésie épique --- History and criticism. --- Histoire et critique --- Littérature épique --- History and criticism --- Epic literature - History and criticism
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From hard scrabble origins on the Plains of North Dakota, to longshoremen organizing on Manhattan’s West Side docks, to living the life of a Bohemian poet in Los Angeles and beyond, Thomas McGrath’s literary aspirations took him far from his humble beginnings. For over six decades, McGrath created poems based largely on the themes of love, work, and political justice. His love of the prairie and his early years on a working farm were central to his life. The virtues of the agrarian community plus the Catholic faith of his family, shaped his Old West character. He was a political progressive and at times a member of the Communist Party of America. In the 1950’s, he was brought before the House Un-American Activities Committee and blacklisted following his appearance. McGrath was the consummate non-conformist in his life and art. He refused to submit to the philosophy that politics and poetry must be kept separate. His epic work, Letter to an Imaginary Friend, is anchored by progressive politics, political and social theory, his love of family, his love of love, and, arguably, the greatest layering of language idioms in the history of American poetry.
Poetry --- épopée --- Dakota du Nord --- Irlandais-Américains --- poésie politique --- gauche américaine (Industrial Workers of the World) --- Parti communiste américain --- epic --- North Dakota --- Irish-Americans --- political poetry --- American Left (Industrial Workers of the World) --- Communist Party of America
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Over the last few decades, in the wake of the ‘Ethical Turn’, contemporary literature has been examined through the prism of the ethics of alterity. Yet, this may not be consistently the case with Victorian and Modernist literature, since relatively few of the authors of those periods have elicited such critical and theoretical scrutiny. The articles in this volume set off to re-read Victorian and Modernist literature in the light of the ethics of alterity and investigate whether the post-Auschwitz, contemporary period breaks away from or favours lines of continuity with the productions of the earlier era. It also strives to address works which do not belong to the canon, focusing alternately on great authors and less known artists, on what has been termed ‘minor’ texts or genres that are less visible than the novel. Approaching literature by examining the relations between ethics and aesthetics, even while adopting an ethical approach, helps the authors in this volume contribute to revising the contemporary, Modernist and Victorian canon in English Literature.
Literature --- modernism --- ethics --- politics --- alterity --- British arts --- contemporary art
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