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In May 1968, France teetered on the brink of revolution as a series of student protests spiraled into the largest general strike the country has ever known. In the forty years since, May '68 has come to occupy a singular place in the modern political imagination, not just in France but across the world. Eric Drott examines the social, political, and cultural effects of May '68 on a wide variety of music in France, from the initial shock of 1968 through the "long" 1970's and the election of Mitterrand and the socialists in 1981. Drott's detailed account of how diverse music communities developed in response to 1968 and his pathbreaking reflections on the nature and significance of musical genre come together to provide insights into the relationships that link music, identity, and politics.

Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Political aspects --- History --- France --- Rock music --- Jazz --- Musique --- Rock (Musique) --- Aspect politique --- Histoire --- 1968. --- 20th century. --- civic. --- contemporary music. --- cultural history. --- cultural politics. --- europe. --- france. --- french history. --- french music. --- historical. --- history. --- human condition. --- international music. --- modern history. --- music and politics. --- music communities. --- music historians. --- music history. --- music scholars. --- music studies. --- musical genres. --- performing arts. --- political history. --- political revolution. --- politics. --- revolt. --- social impacts. --- socialism. --- student protests.

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Eric Drott undertakes a wide-ranging study of the political economy of music streaming to engage in a broader reconsideration of music's complex relation to capitalism.

Music and the Internet. --- Music trade --- Sound recording industry. --- Streaming audio. --- Technological innovations.