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While the central ideal of Roman philosophy exemplified by Lucretius, Cicero and Seneca appears to be the masculine values of self-sufficiency and domination, this book argues, through close attention to metaphor and figures, that the Romans also recognized, as constitutive parts of human experience, what for them were feminine concepts such as embodiment, vulnerability and dependency. Expressed especially in the personification of grammatically feminine nouns such as Nature and Philosophy 'herself', the Roman's recognition of this private 'feminine' part of himself presents a contrast with his acknowledged, public self and challenges the common philosophical narrative of the emergence of subjectivity and individuality with modernity. To meet this challenge, Alex Dressler offers both theoretical exposition and case studies, developing robust typologies of personification and personhood that will be useable for a variety of subjects beyond classics, including rhetoric, comparative literature, gender studies, political theory and the history of ideas.

Subjectivity. --- Philosophical anthropology. --- Human beings. --- Feminism. --- Philosophy, Ancient. --- Ancient philosophy --- Greek philosophy --- Philosophy, Greek --- Philosophy, Roman --- Roman philosophy --- Emancipation of women --- Feminist movement --- Women --- Women's lib --- Women's liberation --- Women's liberation movement --- Women's movement --- Social movements --- Anti-feminism --- Homo sapiens --- Human race --- Humanity (Human beings) --- Humankind --- Humans --- Man --- Mankind --- People --- Hominids --- Persons --- Anthropology, Philosophical --- Man (Philosophy) --- Civilization --- Life --- Ontology --- Humanism --- Philosophy of mind --- Subjectivism --- Knowledge, Theory of --- Relativity --- Emancipation --- Philosophy

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"This volume offers a broad introduction to one of the most exciting chapters of Late Antiquity, through direct testimony from one of the last representatives of Roman Antiquity, Ausonius of Bordeaux, and his radical Christian protégé, the populist bishop and experimental poet, Paulinus of Nola. The first comprehensive volume in English dedicated to these works in over a century, this book also offers representative selections from Paulinus' vast poetic output, from the publicly performed poems that mark his contribution to the emerging cult of the saints to his experimental Christianization of a wide range of Classical genres. Preceded by a substantial introduction discussing the modern significance of these works and their original contexts, the translation is accompanied by running notes for ease of reference and an interpretive commentary rich with illustrative parallels. Taken together, the correspondence with Ausonius and the selections from Paulinus epitomize the personal, political, and spiritual conflicts of their age, offering a lively and concentrated introduction to the life and thought of these two underappreciated contemporaries of Jerome and Augustine. Accompanied by new and provocative interpretations with detailed but concise historical and biographical guidance, this accessible and stylish translation will appeal to scholars and students of Classics, Late Antiquity, religious studies, social history, and world literature"--

Paulinus, --- Ausonius, Decimus Magnus --- Criticism and interpretation.

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Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, the Complete Works of Lucius Annaeus Seneca offers authoritative, modern English translations of the writings of the Stoic philosopher and playwright (4 BCE–65 CE). The two volumes of The Complete Tragedies presents all of his dramas, expertly rendered by preeminent scholars and translators. This first volume contains Medea, The Phoenician Women, Phaedra, The Trojan Women, and Octavia, the last of which was written in emulation of Senecan tragedies and serves as a unique example of political tragedy. The second volume includes Oedipus, Hercules Mad, Hercules on Oeta, Thyestes, and Agamemnon. High standards of accuracy, clarity, and style are maintained throughout the translations, which render Seneca into verse with as close a correspondence, line for line, to the original as possible, and with special attention paid to meter and overall flow. In addition, each tragedy is prefaced by an original translator's introduction offering reflections on the work's context and meaning. Notes are provided for the reader unfamiliar with the culture and history of classical antiquity. Accordingly, The Complete Tragedies will be of use to a general audience and professionals alike, from the Latinless student to scholars and instructors of comparative literature, classics, philosophy, drama, and more.