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This tapestry of primary sources is an essential primer on sculpture and its makers. Modern Sculpture presents a selection of manifestos, documents, statements, articles, and interviews from more than ninety sculptors, including a diverse selection of contemporary sculptors. With this book, editor Douglas Dreishpoon defers to artists, whose varied points of view illuminate sculpture's transformation--from object to action, concept to phenomenon--over the course of more than a century. Chapters arranged in chronological sequences highlight dominant stylistic, philosophical, and thematic threads uniting kindred groups. The result is an artist-centric history of sculpture as a medium of consequence and character.
Sculptors --- Sculpture, Modern --- ART / History / General. --- ". --- "art. --- abstract. --- articles, interviews. --- artist. --- artistry. --- artwork. --- ceramic. --- clean. --- contemporary. --- craft. --- curator. --- design. --- editor. --- exhibit. --- fine. --- form. --- museum. --- paint. --- painting. --- philosophical. --- practice. --- pristine. --- sculpting. --- sculptors. --- sculpture. --- statements. --- style. --- stylistic. --- talent. --- Attitudes. --- Public opinion.
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Bourgeois, Louise ; Cage, John ; Feldman, Morton ; Guston, Philip ; Kline, Franz ; Mitchell, Joan ; Smith, David.
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Sculpture --- interviews --- manifestoes --- sculpture [visual works] --- artists' statements --- texts [documents] --- philosophy of art
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Photography --- Film --- photography [process] --- video art --- Arnold, Brian --- Bendsten, Tom --- Brose, Lawrence --- Chen, Xiaowen --- Coleman, Christopher --- Conrad, Tony --- Duncan, Monica --- Finder --- Flock, Robert --- Gordon, Bonnie --- Gorny, A.P. --- Lin Xia Jiang --- Odell, Lara --- Rogers, Jonathan --- Slein, Alison --- Victor-Dunkle, Jeanne --- Virocode --- Voetsch, von, Kurt
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Iconography --- Art --- Painting --- mural paintings [visual works] --- installations [visual works] --- painting [image-making] --- landscapes [representations] --- Kahn, Tobi --- Steir, Pat
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Art and music --- Arts, American --- History --- easel paintings [paintings by form] --- texts [documents] --- cooperation --- sound art --- Abstract Expressionist --- Bourgeois, Louise --- Guston, Philippe --- Kline, Franz --- Cage, John --- Smith, David --- Mitchell, Joan --- Feldman, Morton --- paintings [visual works]
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Art --- drawings [visual works] --- sculpture [visual works] --- geometric figures --- gouaches [paintings] --- marble [rock] --- wood [plant material] --- Perspex (TM) --- plastic [material] --- plaster [composite coating] --- ink --- Boyd, Rutherford
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"The Paris-born, Venezuelan artist Marisol (b. 1930) burst onto the 1960s New York art scene with large figural sculptures in a wild amalgam of mixed media. Often satirical, Marisol's art is inspired by sources as diverse as Pre-Columbian art, folk art, Cubism, and Surrealism. For the past several decades, however, Marisol has shunned the spotlight and her artwork has been overlooked as a result. Accompanying the first retrospective of Marisol's work in more than a decade, this long-awaited and beautifully illustrated volume offers a much-needed corrective, reestablishing her role as a major figure in postwar American art. Essays by leading scholars of Latin American and 20th-century art explore all facets of her work including her influences, the theme of family, American politics and pop culture, Native American rights and poverty, her role as a female artist, and her relationship to Latin America and Latin American art"--Provided by publisher.
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A superbly curated dialogue between paintings and works on paper spanning Frankenthaler's trailblazing career. In this volume, around 70 works on paper from the late 1940s to the early 2000s are juxtaposed with a selection of paintings--around 10 key works--from each phase in the august career of Helen Frankenthaler (1928-2011). For example, the monumental work Salome (1978) is set alongside stylistically related paintings on paper from the same year. Similarly, the watercolor Great Meadows (1951), from the collection of the Museum of Modern Art, New York, functions as a decisive precedent for the staining and dripping procedures created the following year, most famously Mountains and Sea (1952)--the key Abstract Expressionist painting in Frankenthaler's oeuvre. In some phases the medium of paper dominates, especially in the later work--abstract landscapes with a horizon as well as polychrome color fields. The majority of the works depicted in the catalog come from the Helen Frankenthaler Foundation in New York, supplemented by private collections and institutions.
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