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Taylor Downing --- film --- filmklassiekers --- filmgeschiedenis --- Olympia --- Riefenstahl Leni --- 791.471 RIEFENSTAHL --- Olympia (Motion picture) --- Olympia-Film (Motion picture)
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1983 was a supremely dangerous year - even more dangerous than 1962, the year of the Cuban Missile Crisis. In the US, President Reagan massively increased defence spending, described the Soviet Union as an 'evil empire' and announced his 'Star Wars' programme, calling for a shield in space to defend the US from incoming missiles. Yuri Andropov, the paranoid Soviet leader, saw this as a sign of American aggression and convinced himself that the US really meant to attack the Soviet Union. When a Soviet fighter shot down Korean Airlines flight KAL 007 after the latter strayed off course, Reagan described it as a 'terrorist act' and 'a crime against humanity.' The temperature was rising fast. Then, at the height of the tension, NATO began a war game called Able Archer 83. In this exercise, NATO requested permission to use the codes to launch nuclear weapons. The nervous Soviets were sure that this was no exercise but the real thing. This is a largely unknown Cold war story of spies and double agents, of missiles being readied, of intelligence failures and misunderstandings and of the panic of world leaders.
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Télévision --- Historical television programs --- Isaacs, Jeremy, 1932-.... --- Émissions historiques --- Histoire et critique. --- History and criticism. --- Critique et interprétation --- World at war (Television program) --- Télévision --- Émissions historiques --- Critique et interprétation
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Great Britain --- History
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Durant l'été 1944, en survolant le sud de la Pologne, un avion de reconnaissance allié prend des photos du camp d'extermination nazi d'Auschwitz-Birkenau. Ces clichés aériens montrent en détail l'organisation par les SS d'une usine de mort où douze mille personnes sont quotidiennement assassinées. Mais, au lieu d'être analysées, ces photos sont classées. C'est le point de départ de ce film qui porte un regard nouveau sur la Shoah et s'interroge: que savaient les Alliés des camps d'extermination nazis? Quand ont-ils connu leur construction? En apprenant l'existence d'Auschwitz, Winston Churchill aurait imploré la Royal Air Force de bombarder le camp ou les lignes de chemin de fer qui y menaient. Interviews: Professeur David Cesarani 'Royal Holloway College), Christiane Borras (Paris), Léon Greenman (Rotterdam-Pays-Bas, Lucien Ducastel (Paris), Professeur Richard Overy (Université d'Exeter), Fred Knoller (Vienne-Autriche), Trude Levi (Budapest-Hongrie), Kitti Hart-Moxon (Bielsko-Pologne), Professeur William Rubinstein (Auteur de "The Myth of Rescue").
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Northern Ireland --- Irlande du Nord --- History. --- Histoire
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"Leni Riefenstahl's Olympia (1938) is one of the most controversial films ever made. Capitalising on the success of Triumph of the will (1935), her propaganda film for the Nazi Party, Riefenstahl secured Hitler's approval for her grandiose plans to film the 1936 Berlin Olympics. The result was a work as notorious for its politics as celebrated for its aesthetic power. This revised edition includes new material on Riefenstahl's film-making career before Olympia and her close relationship with Hitler. Taylor Downing also discusses newly-available evidence on the background to the film's production that conclusively proves that the film was directly commissioned by Hitler and funded through Goebbel's Ministry of Propaganda and not, as Riefenstahl later claimed, commissioned independently from the Nazi state by the Olympic authorities. In writing this edition, Taylor Downing has been given access to a magnificent new restoration of the original version of the film by the International Olympic Committee."--Page 4 of cover.
National socialism and art --- Women motion picture producers and directors --- Riefenstahl, Leni --- Hitler, Adolf, --- Jacob, Leni --- Riefenstahl, Helene Bertha Amalie --- Рифеншталь, Лени --- Criticism and interpretation. --- Olympic Games --- Olympic Games. --- Jeux olympiques --- Summer Olympics --- Games of the XI Olympiad --- Olympische Spiele --- Olympische Sommerspiele --- Olympia (Sporting event) --- Nazi-Olympiade --- Olympiade --- Hitlers Olympiade --- Nazi Olympics --- Hitler's Games --- Olimpiese Somerspele --- Spele van die XIde Olimpiade --- Spele van die XIe Olimpiade --- Chuegos Olimpicos --- Chuegos d'a XI Olimpiada d'a Era Muderna --- Xuegos Olímpicos --- Xuegos de la XI Olimpiada --- Yay Olimpiya Oyunları --- Летнія Алімпійскія гульні --- Letnii︠a︡ Alimpiĭskii︠a︡ hulʹni --- Гульні XI Алімпіяды --- Hulʹni XI Alimpii︠a︡dy --- Летни олимпийски игри --- Letni olimpiĭski igri --- Jocs Olímpics d'estiu --- Jocs Olímpics de la XI Olimpíada --- Jocs Olímpics --- Letní olympijské hry --- Gemau Olympaidd yr Haf --- Gemau'r XI Olympiad --- Sommer-OL --- Olympiske Lege --- XI Olympiades Lege --- Olympiades Lege --- Olympia (Motion picture) --- Olympia-Film (Motion picture) --- Women moving-picture producers and directors --- Motion picture producers and directors --- Women in the motion picture industry --- Art and national socialism --- Nazi art --- Art --- #SBIB:309H1320 --- #SBIB:309H1321 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Films met een amusementsfunctie en/of esthetische functie: algemeen --- Hitler, Adolf --- Gitler, Adolʹf, --- Hsi-tʻe-le, --- Hitlar, ʼAdolf, --- Chitler, Adolphos, --- Hitler, Adolph, --- Khitler, Adolf, --- Hitlerus, Adolfus, --- Hiṭlar, Aṭālpu, --- היטלר --- היטלר, אדולף,
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