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Introduced in 1986 as an initiative by Richard Hertz (Chair, Academic Studies, 1979-2003), the Graduate Art Department of the ArtCenter College of Design, located in Pasadena, California, celebrates its thirtieth anniversary in 2016. This book documents the first decade of the department's existence by presenting a selection from over three hundred talks, including a 1990 symposium conducted by renowned curator and art historian Robert Storr, as well as twelve talks from its artists and critics lecture series known as the Graduate Seminar. Discussions between students and faculty members range from what it means to be an artist and the changing role of art in society, to how artists function within an academic setting.

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"Art of projection" investigates the prehistory and current state of the use of projected images in art, moving from the screen to the exhibition space and back again. Its ten essays address precedents for the projection of images in space in nineteenth-century magic lantern shows and world's fairs as well as the alternative conceptions of duration or the representaion of time pioneered by surrealists and experimental filmmakers in the early and mid-twentieth century. Now, in the twenty-first century, when the projection of moving pictures has itself become a convention in the exhibition of art and analog media are being 'migrated' to digital proxies, this book is a timely reconsideration of the history of media art.

778.2 --- 791.43.098 --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- negentiende eeuw --- projectie --- projecties --- installaties --- film --- video --- video-installaties --- experimentele film --- mediakunst --- 7.036 --- 791.43.098 Video's. Videofilms. Videoclips. Videokunst --- Video's. Videofilms. Videoclips. Videokunst --- 778.2 Projectie. Diapositieven. Projectieapparaten --- Projectie. Diapositieven. Projectieapparaten --- Projection art --- Projection art. --- History.

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"The most comprehensive publication exploring the oeuvre of Canadian artist Ian Wallace, At the Intersection of Painting and Photography accompanies a major survey of Wallace's work at the Vancouver Art Gallery, opening in October 2012. Wallace's work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace's work can be considered a reflection of his position as social historian, critic and educator, with influences as far reaching as film and literature, the role of the institution, architecture, urban development, gender relations, environmentalism and civil disobedience. Organised in clear, concise sections that mirror the intersecting motifs that are present throughout Wallace's practice: Minimalism, Narrative, Text Works, The Street, The Museum and The Studio, At the Intersection of Painting and Photography features essays that chart Wallace's career over the past five decades by Daina Augaitis, Jeff Derksen, Diedrich Diederichsen, Stan Douglas, Jessica Morgan, Christine Poggi, Kathleen Ritter and William Wood. The book also includes a selection of five essays by the artist himself and an annotated chronology by Grant Arnold, providing the perfect introduction to Wallace's lasting career and marking his influence on contemporary art today."--Publisher's website

Photography, Artistic --- Conceptual art --- Photography --- Exhibitions --- Wallace, Ian, --- 705.9 --- conceptuele kunst --- fotografie --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- kunst --- fotografie en schilderkunst --- twintigste eeuw --- eenentwintigste eeuw --- Canada --- Wallace Ian --- 7.071 WALLACE --- Photography, Artistic - Exhibitions --- Conceptual art - Canada - Exhibitions --- Photography - Canada - Exhibitions --- Wallace, Ian, - 1943- - Exhibitions --- Wallace, Ian, - 1943 --- -Conceptual art --- -Wallace, Ian, - 1943 --- -Photography, Artistic --- -Wallace, Ian, - 1943-

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video recordings --- motion pictures [visual works] --- video art --- Film --- art [fine art] --- photography [process] --- Photography --- Art --- Douglas, Stan --- anno 2000-2099 --- anno 1900-1999 --- Canada --- Douglas, Stan, --- Video art --- Installations (Art) --- Photography, Artistic --- Criticism and interpretation --- Video art - Exhibitions --- Installations (Art) - Exhibitions --- Photography, Artistic - Exhibitions --- Douglas, Stan, - 1960- - Exhibitions --- Douglas, Stan, - 1960- - Criticism and interpretation --- video recordings [physical artifacts] --- art [discipline] --- Douglas, Stan, - 1960 --- -Douglas, Stan, - 1960 --- -Art --- -Video art --- -Douglas, Stan, - 1960-

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Beckett, Samuel