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Subverting Mainstream Narratives in the Reagan Era explores how artists, novelists, and directors were able to present narratives of strong dissent in popular culture during the Reagan Era. Using but subverting the tools of mainstream novels and films, these visionaries’ works were featured alongside other books in major bookstores and promoted alongside blockbusters in movie theatres across the country. Ashley M. Donnelly discusses how the artists accomplished this, why it is so important, and how new artists can use these techniques in today’s homogenous and mundane media.

Culture --- United States --- Communication. --- Motion pictures --- America --- Cultural and Media Studies. --- American Culture. --- American Cinema. --- North American Literature. --- Popular Culture. --- Media and Communication. --- Communication, Primitive --- Mass communication --- Sociology --- Cultural studies --- Study and teaching. --- United States. --- Literatures. --- United States-Study and teaching. --- Motion pictures-United States. --- America-Literatures. --- American Cinema and TV. --- Popular Culture . --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- United States—Study and teaching. --- Motion pictures—United States. --- America—Literatures.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Subverting Mainstream Narratives in the Reagan Era explores how artists, novelists, and directors were able to present narratives of strong dissent in popular culture during the Reagan Era.

Culture --- Culture --- Study and teaching. --- Étude et enseignement --- United States --- Study and teaching.