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The thematic frame of this issue is the anthropological notion of liminality, applied both to physical as well as imaginary places of transition in medieval art. The volume is thus dedicated to the phenomenon of the limen, the threshold in medieval culture, understood mainly as a spatial, ritual and temporal category. The structure of the book follows the virtual path of any medieval visitor entering the sacred space. While doing so, the visitor encountered and eventually crossed several "liminal zones" that have been constructed around a series of physical and mental thresholds. In order to truly access the sacred – once again both physically and metaphorically – many transitional (micro)rituals were required and were therefore given particular attention within this volume. The volume was published as proceedings of the Liminality and Medieval Art II conference, which was held in October 2018 at the Masaryk University in Brno. Authors were supposed to conceive their contributions in pairs in order to reflect on the selected topics with an interdisciplinary approach. In the end, the very same pattern was also maintained for the final publication.
Liminality --- Christian art and symbolism --- Architecture, Early Christian --- Architecture, Medieval --- Church architecture --- Decorative arts, Medieval --- Church decoration and ornament --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Art industries and trade, Medieval --- Medieval decorative arts --- Architecture --- Middle Ages --- Early Christian architecture --- Themes, motives --- Details --- Conferences - Meetings
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This volume presents the proceedings of the conference Materiality and Conversion: The Role of Material and Visual Cultures in the Christianization of the Latin West organized by the Centre for Early Medieval Studies in 2020. Its contributions thus focus on the Christianization of the Roman Empire between the fourth and sixth centuries. The studies examine the religious change through the "material turn" approach, building on the material and sensorial dimension of Christian conversion and especially the baptismal rite as one of the key components of the process. The material and visual cultures are regarded as vectors and witnesses of conversion to Christianity, while human body is viewed as one of the agents in ritual actions. The volume covers a wide range of topics, including the prebaptismal purification, the moment of immersion in the baptismal font, the postbaptismal alteration of perception, as well as the continuous changes in funeral forms. As such, the papers attempt to shed more light on the role of materiality in the complex and rapid conversion to Christianity in Late Antique West.
Conversion --- Christian antiquities --- Baptism --- Antiquities, Christian --- Antiquities, Ecclesiastical --- Archaeology, Christian --- Christian archaeology --- Church antiquities --- Ecclesiastical antiquities --- Monumental theology --- Antiquities --- Byzantine antiquities --- Religious conversion --- Psychology, Religious --- Proselytizing --- Christianity --- History
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