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The voice was not a major philosophical topic until the 1960s, when Derrida and Lacan separately proposed it as a central theoretical concern. Here, Dolar goes beyond Derrida's idea of "phonocentrism" and revives and develops Lacan's claim that the voice is one of the paramount embodiments of the psychoanalytic object. He proposes that, apart from the uses of the voice as a vehicle of meaning and as a source of aesthetic admiration, there is a third level of understanding: the voice as an object that can be seen as the lever of thought. He investigates the object voice on a number of different levels--linguistics, metaphysics, ethics (the voice of conscience), the paradoxical relation between the voice and the body, the politics of the voice--and finally scrutinizes the uses of the voice in Freud and Kafka. With this foundational work, Dolar gives us a philosophically grounded theory of the voice as a Lacanian object-cause.--From publisher description.
Voice (Philosophy). --- Psychoanalyse --- cultuur en religie. --- Voice (Philosophy) --- Psychanalyse --- Psychologie --- Voix --- Philosophie --- Philosophy --- Philosophical anthropology --- Affective and dynamic functions --- Lacan, Jacques --- 694 --- Esthetica en filosofie
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The voice was not a major philosophical topic until the 1960s, when Derrida and Lacan separately proposed it as a central theoretical concern. Here, Dolar goes beyond Derrida's idea of "phonocentrism" and revives and develops Lacan's claim that the voice is one of the paramount embodiments of the psychoanalytic object. He proposes that, apart from the uses of the voice as a vehicle of meaning and as a source of aesthetic admiration, there is a third level of understanding: the voice as an object that can be seen as the lever of thought. He investigates the object voice on a number of different levels--linguistics, metaphysics, ethics (the voice of conscience), the paradoxical relation between the voice and the body, the politics of the voice--and finally scrutinizes the uses of the voice in Freud and Kafka. With this foundational work, Dolar gives us a philosophically grounded theory of the voice as a Lacanian object-cause.--From publisher description.
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Psychoanalysis --- Psychanalyse --- Voix
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791.44.07 HITCHCOCK, ALFRED --- Personen betrokken bij filmproductie--HITCHCOCK, ALFRED --- 791.44.07 HITCHCOCK, ALFRED Personen betrokken bij filmproductie--HITCHCOCK, ALFRED --- #SBIB:309H505 --- CDL --- 791.471 HITCHCOCK --- Code en boodschap: psychologische, psycho-analytische benadering --- Hitchcock, Alfred --- -Criticism and interpretation --- Hitchcock, Alfred, --- Lacan, Jacques, --- Lacan, Jacques --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- Chitskok, Alphrent, --- היצ'קוק, אלפרד, --- Hīchakāk, Al-Frad , --- هيچکاک، الفرد، --- Criticism and interpretation. --- Psychoanalyse --- klinische beschouwingen. --- Criticism and interpretation --- Critique et interprétation --- Hitchcok, Alfred
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Singing --- Voice (Philosophy) --- Voice --- Music --- Philosophy --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Speaking --- Human sounds --- Language and languages --- Throat --- Diaphragm --- Elocution --- Larynx --- Speech --- Singing and voice culture --- Vocal culture --- Beatboxing --- Throat singing --- Philosophy and aesthetics --- Physiological aspects --- Performance --- Conferences - Meetings
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Negativity (Philosophy) --- Substance (Philosophy) --- Hegel, Georg Wilhelm Friedrich, --- Spinoza, Benedictus de, --- Matter --- Metaphysics --- Ontology --- Reality --- Philosophy --- Spinoza, Benedictus de --- Ispīnūzā, --- Spinoza, Baruch, --- Spinoza, Baruch --- Espinoza, Baruch d', --- Sbīnūzā, --- Espinosa, Baruch de, --- de Spinoza, Benedictus --- Shpinozah, --- Shpinozah, Barukh, --- Spinoza, Benedict de, --- Spinoza, Benedict de --- Spinoza, Barukh, --- Spinoza, Baruch de, --- Spinoza, Benoît de, --- ספינאזא, ברוך דע --- ספינאזא, ברוך, --- שפימוזה, ברוך --- שפינאזא, בענעדיקט --- שפינאזא, ברוך --- שפינאזע, ברוך --- שפינוזא, בנדיקטוס --- שפינוזהת ברוך, --- שפינוזה, ברוך --- שפינוזה, ברוך די, --- שפינוזה, ברוך, --- שפינוזה, ב. --- سبينوزا، بندكتس --- Hegel, Georg Wilhelm Friedrich --- Hēgeru, --- Hei-ko-erh, --- Gegelʹ, Georg, --- Hījil, --- Khegel, --- Hegel, G. W. F. --- Hegel, --- Hei Ge Er, --- Chenkel, --- Hīghil, --- הגל, --- הגל, גאורג וילהלם פרידריך, --- הגל, גיאורג וילהלם פרידריך, --- הגל, ג.ו.פ, --- היגל, גורג ווילהלם פרדריך, --- היגל, גיורג וילהלם פרידריך, --- 黑格尔, --- Hegel, Guillermo Federico, --- Hegel, Jorge Guillermo Federico, --- Heyel, Georg Wilhelm Friedrich, --- Higil, Gʼūrg Vīlhim Frīdrīsh, --- هگل, --- هگل، گئورگ ويلهم فريدريش,
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The contributions collected in this book examine Lubitsch's best Hollywood pictures from the 1930s and '40s -- Trouble in paradise, Design for living, Ninotchka, To be or not to be, and Cluny Borwn -- to demonstrate that comedy, at its best, is not merely a matter of providing comic relief.
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