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Women in art --- Feminity (Psychology) in art --- Feminine beauty (Aesthetics) --- Art, Modern --- Femmes dans l'art --- Féminité (Psychologie) dans l'art --- Beauté féminine (Esthétique) --- Art --- Féminité (Psychologie) dans l'art --- Beauté féminine (Esthétique) --- Femmes --- Dans l'art

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In the years around 1900, an unprecedented attack on women erupted in virtually every aspect of culture: literary, artistic, scientific, and philosophic. Many of the anti-feminine platitudes that today still constrain women's potential were first formulated during this period, as intellectuals of every stripe throughout Europe and America banded together to picture women as static beings whose sole function was sexual and reproductive. This text explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including such figures as Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Maurois, Klimt, Darwin, and Spencer, not to mention a host of now-forgotten others.

Arts, Victorian --- Sexism in art --- Victorian arts --- fin de siècle --- sexisme --- 11030 --- 1850-1920 --- p0030 --- special subjects --- q1030 --- women --- Women in art --- kunst --- schilderkunst --- kunstgeschiedenis --- negentiende eeuw --- vrouwen --- vrouwelijkheid --- 7.035 --- arts --- Geschichte --- Painting --- Iconography --- anno 1800-1899 --- seksualiteit --- 19e eeuw --- iconografie --- misogynie --- beeldcultuur --- 905.2 --- 700.6 --- seksuele moraal --- gender --- LGBTQ+ (lesbian, gay, bisexual, transgender, queer and others) --- cultuurfilosofie, -psychologie en -sociologie --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- queer --- vrouwenemancipatie --- cultuurgeschiedenis --- FEMMES --- SEXISME --- FEMMES DANS L'ART --- DANS LA LITTERATURE --- 19e eeuw. --- Perversité --- Femmes fatales --- Femmes --- Féminité --- Peinture --- Histoire des mentalités --- Women in art. --- Dans la littérature. --- Dans l'art. --- Mythologie. --- Thèmes, motifs.

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Women in popular culture --- Femmes fatales --- Sexism --- Racism --- Femmes dans la culture populaire --- Femmes fatales --- Sexisme --- Racisme --- History --- History --- History --- History --- Histoire --- Histoire --- Histoire --- Histoire

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Previous studies of William Carlos Williams have tended to look only for the literary echoes in his verse. According to Bram Dijkstra, the new movements in the visual arts during the 1920s affected Williams's work as much as, if not more than, the new writing of the period. Dijkstra catches the excitement of this period of revolutionary art, reveals the interactions between writers and painters, and shows in particular the specific and general impact this world had on Williams's early writings.

Cubism. --- Stieglitz, Alfred, --- Adventures in the Arts. --- Autobiography. --- Bergson, Henri. --- Braque, Georges. --- Buffet-Picabia, Gabrielle. --- Camera Work. --- Cézanne, Paul. --- Dadaism. --- Demuth, Charles. --- Duchamp, Marcel. --- Eilshemius, Louis. --- Fauvism. --- Frank, Waldo. --- Futurism. --- Gleizes, Albert. --- Gris, Juan. --- Hartley, Marsden. --- Hartpence, Alanson. --- Imagism. --- In the American Grain. --- Jarry, Alfred. --- Joyce, James. --- Kandinsky, Wassily. --- Kreymborg, Alfred. --- Little Review, The. --- Loy, Mina. --- Marin, John. --- Matisse, Henri. --- Our America. --- Picasso, Pablo. --- Rosenfeld, Paul. --- Spring and All.