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Women in art --- Feminity (Psychology) in art --- Feminine beauty (Aesthetics) --- Art, Modern --- Femmes dans l'art --- Féminité (Psychologie) dans l'art --- Beauté féminine (Esthétique) --- Art --- Féminité (Psychologie) dans l'art --- Beauté féminine (Esthétique) --- Femmes --- Dans l'art
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expressionisme --- sociale geschiedenis --- Columbus Museum of Art --- 1920 - 1950 --- 20ste eeuw --- Verenigde Staten --- 1920 - 1950. --- 20ste eeuw. --- Verenigde Staten.
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Written reputedly by an Egyptian magus, Horapollo Niliacus, in the fourth century C.E., The Hieroglyphics of Horapollo is an anthology of nearly two hundred "hieroglyphics," or allegorical emblems, said to have been used by the Pharaonic scribes in describing natural and moral aspects of the world. Translated into Greek in 1505, it informed much of Western iconography from the sixteenth through the nineteenth centuries. This work not only tells how various types of natural phenomena, emotions, virtues, philosophical concepts, and human character-types were symbolized, but also explains why, for example, the universe is represented by a serpent swallowing its tail, filial affection by a stork, education by the heavens dropping dew, and a horoscopist by a person eating an hourglass. In his introduction Boas explores the influence of The Hieroglyphics and the causes behind the rebirth of interest in symbolism in the sixteenth century. The illustrations to this edition were drawn by Albrecht Dürer on the verso pages of his copy of a Latin translation.
Cubism and literature --- Art and literature --- -Literature and cubism --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- History --- -Stieglitz, Alfred --- -Williams, William Carlos --- -Influence --- Knowledge --- -Art --- American literature --- Photography --- Painting --- Williams, William Carlos --- Stieglitz, W. --- anno 1910-1919 --- Literature and cubism --- Literature --- Stieglitz, Alfred, --- Williams, William Carlos, --- וויליאמס, וויליאם קרלוס, --- ויליאמס, ויליאם קרלוס, --- O'Keeffe, Georgia, --- Influence. --- Art. --- Cubism and literature. --- Cubism --- Cubisme --- Criticism and interpretation --- Stieglitz, Alfred --- Influence --- Avant-Garde (Aesthetics) --- United States --- Art [Modern ] --- 20th century --- Criticism and interpretation. --- Ṿiliʼams, Ṿiliʼam Ḳarlos, --- Absence of ants. --- Aphrodite. --- Birth, deformed. --- Boundaries. --- Circle. --- Copulation. --- Death. --- Discrimination. --- Distribution of justice. --- Egypt. --- Eternity. --- Filial affection. --- Foreknowledge. --- Gluttony. --- Gratitude. --- Heavens. --- Hephaistus. --- Horoscopist. --- Impurity. --- Infinity. --- Judge. --- Lawlessness. --- Loins. --- Magistrate. --- Measurement. --- Night. --- Pederasty. --- Plunderer. --- Recklessness. --- Sluggishness. --- Sublime. --- Temperance. --- Twilight. --- Unanimity. --- Unstable man. --- Victory. --- Wasp. --- Widow.
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De Amerikaanse kunstenares Georgia O'Keeffe werd reeds lang erkend als één van Amerika's eerste, avontuurlijke moderne artiesten, maar critici suggereerden dat ze dat was ondanks haar Amerikaanse achtergrond. De auteur van dit boek heeft hier een andere visie op. Hij toont aan dat O'Keeffe's kunst precies werd beïnvloed door haar achtergrond, door de omaats waar zij opgroeide en later de plaatsen waar ze woonde. Ook plaatst hij kanttekeningen bij de meningen van verschillende cultuurhistorici die menen dat haar kunst sterk beïnvloed werd door de fotograaf Alfred Stiegitz en de Europese Modernen.
Art --- Artists --- Book --- O'Keeffe, Georgia --- United States of America
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Women in popular culture --- Femmes fatales --- Sexism --- Racism --- Femmes dans la culture populaire --- Femmes fatales --- Sexisme --- Racisme --- History --- History --- History --- History --- Histoire --- Histoire --- Histoire --- Histoire
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Previous studies of William Carlos Williams have tended to look only for the literary echoes in his verse. According to Bram Dijkstra, the new movements in the visual arts during the 1920s affected Williams's work as much as, if not more than, the new writing of the period. Dijkstra catches the excitement of this period of revolutionary art, reveals the interactions between writers and painters, and shows in particular the specific and general impact this world had on Williams's early writings.
Cubism. --- Stieglitz, Alfred, --- Adventures in the Arts. --- Autobiography. --- Bergson, Henri. --- Braque, Georges. --- Buffet-Picabia, Gabrielle. --- Camera Work. --- Cézanne, Paul. --- Dadaism. --- Demuth, Charles. --- Duchamp, Marcel. --- Eilshemius, Louis. --- Fauvism. --- Frank, Waldo. --- Futurism. --- Gleizes, Albert. --- Gris, Juan. --- Hartley, Marsden. --- Hartpence, Alanson. --- Imagism. --- In the American Grain. --- Jarry, Alfred. --- Joyce, James. --- Kandinsky, Wassily. --- Kreymborg, Alfred. --- Little Review, The. --- Loy, Mina. --- Marin, John. --- Matisse, Henri. --- Our America. --- Picasso, Pablo. --- Rosenfeld, Paul. --- Spring and All.
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This volume provides a provocative analysis of the unprecedented eruption of misogyny at the turn of the 20th century in the works of the key artists of the age
Arts, Victorian --- Sexism in art --- Victorian arts --- fin de siècle --- sexisme --- 11030 --- 1850-1920 --- p0030 --- special subjects --- q1030 --- women --- Women in art --- kunst --- schilderkunst --- kunstgeschiedenis --- negentiende eeuw --- vrouwen --- vrouwelijkheid --- 7.035 --- arts --- Geschichte --- Painting --- Iconography --- anno 1800-1899 --- seksualiteit --- 19e eeuw --- iconografie --- misogynie --- beeldcultuur --- 905.2 --- 700.6 --- seksuele moraal --- gender --- LGBTQ+ (lesbian, gay, bisexual, transgender, queer and others) --- cultuurfilosofie, -psychologie en -sociologie --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- queer --- vrouwenemancipatie --- cultuurgeschiedenis --- FEMMES --- SEXISME --- FEMMES DANS L'ART --- DANS LA LITTERATURE --- 19e eeuw. --- Perversité --- Femmes fatales --- Femmes --- Féminité --- Peinture --- Histoire des mentalités --- Women in art. --- Dans la littérature. --- Dans l'art. --- Mythologie. --- Thèmes, motifs.
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