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This collection brings together art historians, museum professionals, conservators, and conservation scientists whose work involves Rembrandt van Rijn and associated artists such as Gerrit Dou, Jan Lievens, and Ferdinand Bol. The range of subjects considered is wide: from the presentation of convincing evidence that Rembrandt and his contemporary Frans Hals rubbed elbows in the Amsterdam workshop of Hendrick Uylenburgh to critical reassessments of the role of printmaking in Rembrandt's studio, his competition with Lievens as a landscape painter, his reputation as a collector, and much more. Developed from a series of international conferences devoted to charting new directions in Rembrandt research, these essays illuminate the current state of Rembrandt studies and suggest avenues for future inquiry.
Aesthetics of art --- art criticism --- gouden eeuw (Holland) --- Rembrandt --- Netherlands --- Rembrandt Harmenszoon van Rijn, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Rijn --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Criticism and interpretation. --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- ART / European. --- Rembrandt, Gerrit Dou, Jan Lievens, Jan van Vliet, Ferdinand Bol, painting, printmaking, technical art history. --- Arts --- Hollandse school --- Künstlerschule. --- Umkreis.
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melancholy --- costume [mode of fashion] --- mourning --- Hollandse school --- portret, Nederlanden --- anno 1600-1699
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emotion --- passion [emotion] --- Art --- Bruegel, Pieter [Elder] --- Rembrandt --- Rubens, Peter Paul --- Massijs, Quinten --- anno 1600-1699 --- anno 1500-1599 --- Belgium --- Netherlands --- passies, emoties, affecties. --- pathos. --- gender. --- humanisme. --- van Mander, Karel I. --- Bruegel, Pieter I. --- Rubens, Peter Paul. --- Lastman, Pieter. --- Rembrandt. --- Hoogstraten, Samuel van. --- Junius, Franciscus. --- Huygens, Constantijn (Jr.). --- Vondel, Joost van den. --- 16de eeuw. --- 17de eeuw. --- Nederlanden. --- Nederlandse school
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Graphic arts --- Rembrandt --- 76 REMBRANDT --- Grafische kunsten. Grafiek. Prentkunst--REMBRANDT --- 76 REMBRANDT Grafische kunsten. Grafiek. Prentkunst--REMBRANDT --- prints [visual works] --- Rembrandt Harmenszoon van Rijn, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Catalogs. --- Rembrandt van Rijn --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand
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This is the first monograph devoted to Rembrandt's etched portraits of himself and his contemporaries. Between 1633 and 1665, Rembrandt etched less than two dozen formal portraits, yet this small body of work includessome of his most finely crafted and widely sought-after prints. Rembrandt depicted influential preachers of the Remonstrant, Reformed and Mennonite faiths as well as prominent citizens such as the tax administrator Jan Wtenbogaert, the wealthy connoisseur Jan Six, the physician Arnout Tholinxand the landscape painter Jan Asselijn. Most of these men participated in a circle of artists, poets and patrons who thought of themselves as a "Dutch Parnassus." For this community of art lovers, the celebration of individual character and accomplishment, in products ranging from imposing portrait sculptures to witty occasional verses, was a central preoccupation. This book brings together contextual evidence such as preparatory studies, inscribed copies, and literary responses of Rembrandt's etched portraits
portraits --- Graphic arts --- Rembrandt --- portretten --- grafiek --- Rembrandt van Rijn --- Uylenburgh, Saskia van --- Sylvius, Jan Cornelis --- Wtenbogaert, Johannes --- Anslo, Cornelis Claesz --- Savery, Salomon --- Wybma, Reynerus --- Vondel, Joost van den --- Six, Jan --- Lutma, Jan --- Lievens, Jan --- Bueno, Ephraim --- Jonghe, Clement de --- Tholinx, Arnout --- Francen, Abraham --- Coppenol, Lieven van --- prints [visual works] --- portretten. --- Rembrandt. --- Uylenburgh, Saskia van. --- Sylvius, Jan Cornelis. --- Wtenbogaert, Johannes. --- Anslo, Cornelis Claesz. --- Savery, Salomon. --- Wybma, Reynerus. --- Vondel, Joost van den. --- Six, Jan. --- Lutma, Jan. --- Lievens, Jan. --- Bueno, Ephraim. --- Jonghe, Clement de. --- Tholinx, Arnout. --- Francen, Abraham. --- Coppenol, Lieven van. --- Uylenburgh, Saskia --- Uylenburgh, Saskia. --- Museum voor Schone Kunsten Gent. --- museumcollecties.
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Painting --- History --- Lievens, Jan I --- Dyck, van, Anthony --- Rembrandt --- anno 1600-1699 --- Flanders
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Art --- History --- art market --- Rembrandt
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emotion --- fear --- Nederlandse school --- literatuur, Nederlanden --- women [female humans] --- verstoting van Hagar --- Suzanna en de ouderlingen --- boetende Magdalena --- Lucretia --- Sadeler, Egidius II --- Lastman, Pieter --- Lievens, Jan I --- Honthorst, van, Gerrit --- Susanna --- Rubens, Peter Paul --- Codde, Pieter --- Rembrandt --- Metsu, Gabriël --- Muller, Jan Harmensz. --- Venne, van de, Adriaen Pietersz. --- Andromeda [Mythological character] --- anno 1600-1699
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