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Commissioned by Dia Art Foundation, Gramsci Monument is a new artwork by Thomas Hirschhorn, taking place on the grounds of Forest Houses, a New York City Housing Authority development in the Morrisania neighborhood of the Bronx, New York. Gramsci Monument opened on July 1 and will run through September 15, 2013. It is open seven days a week, from 10 am to 7 pm. Gramsci Monument is the fourth and last in Hirschhorn’s series of “monuments” dedicated to major writers and thinkers, which he initiated in 1999 with Spinoza Monument (Amsterdam, the Netherlands), followed by Deleuze Monument (Avignon, France, 2000) and Bataille Monument (Kassel, Germany, 2002). This fourth monument pays tribute to the Italian political theorist Antonio Gramsci (1891–1937), famous for his volume of Prison Notebooks (1926–1937). Gramsci Monument is based on Hirschhorn's will “to establish a definition of monument, to provoke encounters, to create an event, and to think Gramsci today.” Constructed by residents of Forest Houses, the artwork takes the form of an outdoor structure comprised of numerous pavilions. The pavilions include an exhibition space with historical photographs from the Fondazione Istituto Gramsci in Rome, personal objects that belonged to the philosopher from Casa Museo di Antonio Gramsci in Ghilarza, Italy, and an adjoining library holding 500 books by (and about) Gramsci loaned by the John D. Calandra Italian American Institute in New York. Other pavilions include a stage platform, a workshop area, an Internet corner, a lounge, and the Gramsci Bar—all of which are overseen by local residents. Gramsci Monument will offer a daily program of lectures by philosopher Marcus Steinweg, a children's workshop run by artist Lex Brown, a radio station, happy hour, and a daily newspaper. Weekly programs include a play titled Gramsci Theater, Gramsci Seminars led by international scholars, Poetry Lectures and Workshops led by poets and writers, Art Workshops led by Hirschhorn, open microphone events coordinated by the community, and field trips organized by the project’s “ambassador,” Dia curator, Yasmil Raymond. Hirschhorn has also created a website as part of the Gramsci Monument. It is a platform offering texts, notes, pictures, and videos documenting the process of the artwork, from its earliest sketches. The website features lives radio streaming, and will be updated daily with documentation from the daily events and philosophy lectures, as well as archived editions of the newspaper.
public art --- community art --- interactive art --- Art --- monuments --- Hirschhorn, Thomas --- Interactive art --- Art public --- Monument commémoratif --- Hirschhorn, Thomas. --- Gramsci, Antonio, --- Monuments --- Hirschhorn, Thomas, --- Interactive art - New York (State) - New York --- Hirschhorn, Thomas, - 1957- - Gramsci monument --- Gramsci, Antonio, - 1891-1937 - Monuments - New York (State) - New York --- Hirschhorn, Thomas, 1957 --- -Art --- kunst in de openbare ruimte --- -Hirschhorn, Thomas, - 1957- - Gramsci monument --- Gramsci, Antonio, - 1891-1937
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Sound in art --- Neuhaus, Max. --- Neuhaus, Max --- Criticism and interpretation.
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Becher, Hilla ; Becher, Bernd ; Beuys, Joseph ; Bourgeois, Louise ; Chamberlain, John ; Darboven, Hanne ; De Maria, Walter ; Flavin, Dan ; Heizer, Michael ; Irwin, Robert ; Judd, Donald ; Kawara, On ; Knoebel, Imi ; LeWitt, Sol ; et al.
Art --- Art, Modern --- Dia:Beacon (Art museum) --- Dia:Beacon (Art museum).
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This in-depth exploration of celebrated French artist François Morellet (1926-2016) showcases his diverse oeuvre, famous for infusing systematic and rigorous experimentation with humor and playfulness. Morellet's interest in kinetic and optical effects spurred work that engages viewers' perception and participation, ensuring an element of chance within his predetermined systems and challenging the convention of the artistic genius. This book features new scholarship by an international group of renowned art historians and curators. Essays explore topics such as the conceptual stakes of Morellet's practice, the influence of Brazilian geometric abstraction and the Islamic decorative tradition, and the role of humor in his work. Also included is an extensive selection of previously untranslated writings by the artist himself. With striking new photography of the artworks-such as Morellet's geometric paintings, neon works, and architectural interventions-this is the definitive book on a fascinating, multifaceted artist.
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