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Woolf, Virginia --- Woolf, Virginia, --- Women and literature --- History --- Woolf, Virginia Stephen, --- Stephen, Virginia, --- Ulf, Virzhinii︠a︡, --- Ṿolf, Ṿirg'inyah, --- Vulf, Virdzhinii︠a︡, --- Вулф, Вирджиния, --- וולף, וירג׳יניה --- וולף, וירג׳יניה, --- Stephen, Adeline Virginia, --- Criticism and interpretation.
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"There is nothing like a dame," proclaims the song from South Pacific. Certainly there is nothing like the fast-talking dame of screen comedies in the 1930's and '40's. In this engaging book, film scholar and movie buff Maria DiBattista celebrates the fast-talking dame as an American original. Coming of age during the Depression, the dame--a woman of lively wit and brash speech-epitomized a new style of self-reliant, articulate womanhood. Dames were quick on the uptake and hardly ever downbeat. They seemed to know what to say and when to say it. In their fast and breezy talk seemed to lie the secret of happiness, but also the key to reality. DiBattista offers vivid portraits of the grandest dames of the era, including Katharine Hepburn, Irene Dunne, Rosalind Russell, Barbara Stanwyck, and others, and discusses the great films that showcased their compelling way with words-and with men. With their snappy repartee and vivid colloquialisms, these fast-talkers were verbal muses at a time when Americans were reinventing both language and the political institutions of democratic culture. As they taught their laconic male counterparts (most notably those appealing but tongue-tied American icons, Gary Cooper, Henry Fonda, and James Stewart) the power and pleasures of speech, they also reimagined the relationship between the sexes. In such films as Bringing Up Baby, The Awful Truth, and The Lady Eve, the fast-talking dame captivated moviegoers of her time. For audiences today, DiBattista observes, the sassy heroine still has much to say.
Femmes --- Au cinéma --- Langage --- Film: persons --- United States --- Langage. --- Au cinéma. --- Women in motion pictures. --- Women --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Motion pictures --- Language. --- United States of America
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Where other works of literary criticism are absorbed with the question--How to read a book?--Imagining Virginia Woolf asks a slightly different but more intriguing one: how does one read an author? Maria DiBattista answers this by undertaking an experiment in critical biography. The subject of this work is not Virginia Woolf, the person who wrote the novels, criticism, letters, and famous diary, but a different being altogether, someone or something Maria DiBattista identifies as "the figment of the author." This is the Virginia Woolf who lives intermittently in the pages of her writings and in the imagination of her readers. Drawing on Woolf's own extensive remarks on the pleasures and perils of reading, DiBattista argues that reading Woolf, in fact reading any author, involves an encounter with this imaginative figment, whose distinct, stylistic traits combine to produce that beguiling phantom--the literary personality. DiBattista reveals a writer who possessed not a single personality, but a cluster of distinct, yet complementary identities: the Sibyl of Bloomsbury, the Author, the Critic, the World Writer, and the Adventurer, the last of which, DiBattista claims, unites them all. Imagining Virginia Woolf provides an original way of reading, one that captures with variety and subtlety the personality that exists only in Woolf's works and in the minds of her readers.
Authors and readers. --- Personality in literature. --- Authorship --- Authors, English --- Readers and authors --- English authors --- Psychological aspects. --- Psychology. --- Woolf, Virginia, --- Authors and readers --- Personality in literature --- 820 "19" WOOLF, VIRGINIA --- 820 "19" WOOLF, VIRGINIA Engelse literatuur--20e eeuw. Periode 1900-1999--WOOLF, VIRGINIA --- Engelse literatuur--20e eeuw. Periode 1900-1999--WOOLF, VIRGINIA --- Psychology --- Psychological aspects --- Woolf, Virginia Stephen, --- Stephen, Virginia, --- Ulf, Virzhinii︠a︡, --- Ṿolf, Ṿirg'inyah, --- Vulf, Virdzhinii︠a︡, --- Вулф, Вирджиния, --- וולף, וירג׳יניה --- וולף, וירג׳יניה, --- Stephen, Adeline Virginia, --- Woolf, Virginia
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Literature --- Authors and readers --- Authors, English --- Authorship --- Personality in literature --- Psychology --- Psychological aspects --- Woolf, Virginia, --- Psychology.
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Sociology of literature --- English literature --- anno 1800-1999 --- Modernism (Literature) --- Popular literature --- Literature and anthropology --- Popular culture --- History and criticism. --- History. --- 20th century --- History and criticism --- Great Britain --- 19th century --- History --- Popular culture - Great Britain - History.
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High modernists such as Yeats, Joyce, Eliot and Woolf are customarily treated as if they wrote in different worlds and eras from the low modernists such as Hardy, Shaw and Wells. This collection brings these writers into critical proximity.
English literature --- Modernism (Literature) --- Popular literature --- Literature and anthropology --- Popular culture --- Anthropology and literature --- Anthropology --- History and criticism. --- History.
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The Cambridge Companion to Autobiography offers a historical overview of the genre from the foundational works of Augustine, Montaigne, and Rousseau through the great autobiographies of the Romantic, Victorian, and modern eras. Seventeen essays from distinguished scholars and critics explore the diverse forms, audiences, styles, and motives of life writings traditionally classified under the rubric of autobiography. Chapters are arranged in chronological order and are grouped to reflect changing views of the psychological status, representative character, and moral authority of the autobiographical text. The volume closes with a group portrait of late-modernist and contemporary autobiographies that, by blurring the dividing line between fiction and non-fiction, expand our understanding of the genre. Accessibly written and comprehensive in scope, the volume will appeal especially to students and teachers of non-fiction narrative, creative writing, and literature more broadly.
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This volume offers seventeen original essays that attest to the extraordinary inventiveness and range of modernist autobiography. It examines the ways modernist writers chose to tell their life stories, with particular attention to forms, venues, modes of address, and degrees of truthfulness. The essays are grouped around a set of rubrics that isolate the distinctive character and shared preoccupations of modernist life-writings: questions of ancestry and tradition that foreground the modernists' troubled relation to their immediate familial as well as cultural past; their emergence as writers whose experiences found expression in untraditional and singular forms; their sense of themselves as survivors of personal and historical traumas; and their burdens as self-chroniclers of loss, especially of self-loss. It will appeal especially to scholars and students of literary modernism and English literature more generally.
Autobiography. --- Modernism (Literature) --- Autobiographie. --- Modernisme (littérature) --- Autobiography --- Crepuscolarismo --- Literary movements --- Autobiographies --- Egodocuments --- Memoirs --- Biography as a literary form --- History and criticism --- Technique --- E-books --- Modernisme (littérature)
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