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This publication focuses on Sanam Khatibi?s meticulously painted small still lifes. With the finest brush she applies light and shadow in oil paint to various miniature shapes. The compositions themselves are quite unassuming. Objects loom haphazardly from the golden or black background and seem to sing in polyphony in the vein of Orlando di Lasso, Johannes Ockeghem and other masters of polyphony.00The highly detailed objects come from a golden age that has yet to come. In contrast with the Dutch Golden Age of the 1600s, hers is a century of self-flagellation, cosmology, human sacrifice, femininity, prestige and decapitation. A century in which all forms surrounding us mysteriously shrink. This futuristic universe will reduce the human footprint. The world will shrink to the scale of a postcard of a still life painted by Sanam Khatibi.
Khatibi, Sanam --- painting [image-making] --- still lifes --- kunst --- Khatibi Sanam --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- stillevens --- schilderkunst --- België --- Iran --- 75.071 KHATIBI --- 75.07 --- Khatibi, Sanam °1979 (°Teheran, Iran) --- Belgische kunstenaars --- Vrouwelijke kunstenaars --- Schilderkunst ; schilders A-Z --- Exhibitions --- Still-life painting, Belgian --- Still-life painting, Belgian. --- Khatibi, Sanam. --- 2000-2099
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In the book Images Trouvées, Hans Segers collected twenty-nine shapes originally in a long concertina-shaped picture atlas, an archive of icons. Twenty-nine people from the art world in Belgium and France were invited to verbalise an image. As a result, the images in this book are enriched with new layers of meaning. - from publisher
Segers, Hans --- kunst --- woord en beeld --- schilderkunst --- België --- tekenkunst --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- 75.071 SEGERS --- 741.071 SEGERS --- Exhibitions --- Painting --- oil paintings [visual works] --- aquarelles [paintings] --- Drawing, Belgian --- Artists' books. --- 741.07 --- Segers, Hans °1952 (°Antwerpen, België) --- Belgische kunstenaars --- Posture Editions --- Kunstenaarsboeken --- Tekenkunst ; tekenkunstenaars A - Z
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'Labyrinth' takes us on a walk through the spaces constructed within the pages of the book and visualises a world in which the exit can't be found. With the morphology of the house (windows, doors, steps and curtains) and the theatre (curtains, stage, perspective), a world is evoked in which nothing can serve as a point of reference. The experience is similar to surfing on the internet, scrolling through instagram, unfolding the gallery map of Art Brussels or shopping in a French supermarket. Christophe Van Gerrewey has written a text that actually creates an imbroglio. All images in the book are woodcuts and printed in letterpress on a Heidelberg KS.
Demoen, Nikolaas --- Art --- woodcuts [prints] --- art [fine art] --- houtsneden --- kunst --- 76.071 DEMOEN --- grafiek --- houtsnede --- Demoen Nikolaas --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- 7.071 DEMOEN --- 76.07 --- 7.07 --- Demoen, Nikolaas °1965 (°Gent, België) --- Belgische kunstenaars --- Kunstenaarsboeken --- Grafiek ; houtsneden --- Grafische kunst ; grafische kunstenaars A-Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions --- Art, Belgian --- Wood-engraving, Belgian. --- Demoen, Nikolaas,
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The work of Julia Spínola (b. 1979) departs from an intuitive and empirical practice, in which there is no place for metaphors or symbolisms. She is interested in the laws of physics such as connectivity, transference, movement, which have been present in her practice since earlier works.“One night in Madrid, a lamp came swirling down, as if it were a butterfly. It just missed the table and it did not break. The lamp was still burning, but it was hanging at a different level than usual: it had left the ceiling. Suddenly, a funny dialogue developed, a play with various lamps. It became obvious that Spínola wanted to link heart, head, feet and hands in her work – that she was in search of a form for them. Her work shows the effect of experienced and experimental material, it is imagined and created, one sees spaced possibilities that can be thought clearly at a certain moment in this space – a moment that surprises us.”From: ‘Julia Spínola: Form as Figure-Object, Engaged in a Dialogue with Sequenced Gestures and Action Codes’ Sofie Van Loo, in: Habla/Dice
art [fine art] --- kunst --- Spínola, Julia --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- Spinola Julia --- Catalogs --- Art [Spanish ] --- 21st century --- Art, Spanish --- Installations (Art) --- Spínola, Julia --- Verwée, Adriaan °1975 (°Gent, België) --- Posture Editions --- Beeldende kunst ; Spanje ; 21ste eeuw --- Spínola, Julia (°1979, Madrid) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- art [discipline]
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