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Caravaggisme --- privécollecties --- italianisanten --- verzameling Vincenzo Giustiniani --- Caravaggio --- Giustiniani, Vincenzo --- Finson, Louis --- Stom, Matthias --- De Somer, Hendrick --- Elsheimer, Adam --- Rubens, Peter Paul --- Brugghen, Hendrik ter --- 17de eeuw --- Noordelijke Nederlanden --- Frankrijk --- Italië --- Utrecht --- Rome --- Napels --- Baroque --- Caravaggism --- painting [image-making] --- influence --- Europe: North --- caravaggisme --- caravaggisme. --- privécollecties. --- italianisanten. --- verzameling Vincenzo Giustiniani. --- Caravaggio. --- Giustiniani, Vincenzo. --- Finson, Louis. --- Stom, Matthias. --- De Somer, Hendrick. --- Elsheimer, Adam. --- Rubens, Peter Paul. --- Brugghen, Hendrik ter. --- 17de eeuw. --- Noordelijke Nederlanden. --- Frankrijk. --- Italië. --- Utrecht. --- Rome. --- Napels.
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This title focuses on Rembrandt's activities as a portraitist, a genre in which the most important Dutch painter of the 17th century also reached the highest level. Together with around thirty nine of his portraits, the exhibition will include major examples by other artists active alongside him in Amsterdam during the Dutch Golden Age, with a total of 80 paintings, 16 prints and an etching plate, some never previously seen in Europe. When Rembrandt arrived in Amsterdam in the early 1630s the city already counted on portraitists such as Thomas de Keyser and Frans Hals - resident in the nearby city of Haarlem but with clients in the capital - who responded to a significant market demand for such works. Others continued to arrive after Rembrandt, such as Bartholomeus van der Helst, attracted by the possibility of securing commissions. Curated by Norbert E. Middelkoop, curator at the Amsterdam Museum, the exhibition and this book reveal the variety and quality of these works and will present the stories behind the sitters in them: married couples, craftsmen at work, children, scholars, businessmen, the artists themselves and important group portraits.
Painting --- etchings [prints] --- easel paintings [paintings by form] --- portraitists --- portraits --- Rembrandt --- portretten --- anatomische les --- Rembrandt van Rijn --- Baden, Frans --- Reynst, Gerard --- Vredericx, Loef --- Uylenburgh, Hendrick --- Eeckhout, Gerbrand van den --- Ovens, Jürgen --- 1590 - 1670 --- 16de eeuw --- 17de eeuw --- Amsterdam --- portretten. --- anatomische les. --- Rembrandt. --- Baden, Frans. --- Reynst, Gerard. --- Vredericx, Loef. --- Uylenburgh, Hendrick. --- Eeckhout, Gerbrand van den. --- Ovens, Jürgen. --- 1590 - 1670. --- 16de eeuw. --- 17de eeuw. --- Amsterdam. --- Salon van Doornik (1934). --- Cercle Artistique de Tournai. --- tentoonstelling Doornik (1934). --- 20ste eeuw.
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What are the 100 most important masterpieces from the Netherlands and Flanders created between 1400 and 1750? In this well illustrated book, over 100 curators from CODART, an international network for museum curators of Dutch and Flemish art, has compiled a canon of the best works from museums around the world. Each painting, drawing, sculpture or print on the list is profiled, with commentary by the curators. Included are works by Rubens, Rembrandt, Bruegel, Van Eyck, Hals, Memling, Vermeer, Metsu, de Hooch, Steen, and many more.
Art --- canons [standards] --- anno 1300-1399 --- anno 1500-1799 --- anno 1400-1499 --- Netherlands --- Flanders --- CODART --- 1350 - 1750 --- 14de eeuw --- 15de eeuw --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Nederlanden --- Art, Dutch --- Art, Flemish --- Boekgeschiedenis (kennisdomein) --- Literatuur, muziek en beeldende kunst/grafiek (kennisdomein) --- Flemish art --- Dutch art --- Nieuwe Ploeg (Group of artists) --- Ploeg (Group of artists) --- CODART. --- 1350 - 1750. --- 14de eeuw. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Nederlanden. --- Doudelet, Charles. --- Benvenuti, Benvenuto.
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