Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

muziekanalyse --- muziektheorie --- Music --- Atonality --- Musical analysis --- Second Viennese school (Group of composers) --- Academic collection --- New Vienna school (Group of composers) --- Schoenberg school (Group of composers) --- Second Vienna school (Group of composers) --- Vienna school (Group of 20th-century composers) --- Viennese school, Second (Group of composers) --- Young Viennese school (Group of composers) --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music analysis --- Music theory --- Music appreciation --- Tonality --- Analysis, appreciation --- Analytical guides --- Instruction and study --- Muziekanalyses --- Harmonie --- Atonaliteit --- Tweede Weense School --- 20e eeuw --- Oostenrijk --- Wiener Schule --- Freie Atonalität --- Freie Atonalität.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Dodécaphonisme sériel --- Musical serialism --- Musique sérielle --- Muzikale serialisme --- Serial composition (Music) --- Serialism (Music) --- Sérialisme --- Sérialisme musical --- Sérielle, Musique --- Séries (Musique) --- Technique sérielle --- Total serialism (Music) --- Music --- Musique --- History and criticism. --- Histoire et critique --- Geschichte 1947-1957. --- History and criticism --- Academic collection --- Musique sérielle --- Composition (Music) --- 20th century --- Music - 20th century - History and criticism --- Essays --- Hedendaagse muziek --- Serialisme --- 20e eeuw

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Musique --- Tonalite --- Harmonie --- Histoire et critique

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Music and noise seem to be mutually exclusive. Music is generally considered as an ordered arrangement of sounds pleasing to the ear and noise as its opposite: chaotic, ugly, aggressive, sometimes even deafening. When presented in a musical context, noise can thus act as a tool to express resistance to predominant cultural values, to society, or to socioeconomic structures (including those of the music industry). The oppositional stance confirms current notions of noise as something which is destructive, a belief not only cherished by hard-core rock bands but also shared by engineers and companies developing devices to suppress or reduce noise in our daily environment. In contrast to the common opinions on noise just described, this volume seeks to explore the constructive potential of noise in contemporary musical practices. Rather than viewing noise as a 'defect', this volume aims at studying its aesthetic and cultural potential. Within the noise music study field, most recent publications focus on subgenres such as psychedelic post-rock, industrial, hard-core punk, trash or rave, as they developed from rock and popular music. This book includes work on avant-garde music developed in the domain of classical music as well. In addition to already well-established (social) historical and aesthetical perspectives on noise and noise music, this volume also offers contributions by music analysts"--

Music --- Philosophy and aesthetics.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Music --- wetenschappelijke bibliotheken --- muziekcollecties --- elektronische media --- muziekgeschiedenis --- Belgisch Nationaal Instituut voor Radio --- anno 1930-1939 --- anno 1940-1949 --- anno 1950-1959 --- Flanders