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History of the Low Countries --- History of civilization --- Nederlandse kunstenaars in Italië --- Art --- anno 1500-1799 --- Italy --- Aide culturelle --- Assistance culturelle --- Cultural exchange --- Cultural relations --- Culturele betrekkingen --- Culturele relaties --- Intercultural relations --- Relations culturelles --- Relations interculturelles --- Art, Netherlandish --- Art, Dutch --- Art, Flemish --- Art, Italian --- Art néerlandais --- Art hollandais --- Art flamand --- Art italien --- Italian influences --- Congresses --- Influence --- Influence italienne --- Congrès --- 709.03 --- Arts Modern period (1500 - ) --- Conferences - Meetings --- Art néerlandais --- Congrès --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Dutch art --- Ploeg (Group of artists) --- Art [Renaissance ] --- Netherlands --- Relations --- 16th-18th centuries --- Congresses. --- Nieuwe Ploeg (Group of artists) --- Art, Dutch - Italian influences - Congresses --- Art, Italian - Influence - Congresses --- reis en educatie --- Italie --- 16e siècle --- 18e siècle --- Pays-bas

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Idols and images in literature. --- Idols and images in motion pictures. --- Idols and images. --- Image (Philosophy)

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Cet essai propose un rapprochement entre les formes de médiatisation de la violence terroriste d'aujourd'hui et celles qui caractérisèrent les guerres de religion au XVIe siècle. Plutôt que s'engager sur la voie hasardeuse d'un comparatisme qui porterait sur les faits historiques, il s'agit de réfléchir à certaines modalités transhistoriques de représentation de la violence spectacularisée, et en particulier celle liée au martyre. Il n'est pas tant question de dégager des invariants anthropologiques que d'éclairer un certain nombre de modèles figuratifs qui constituent autant d'images-écran continuant à nourrir ou à contaminer notre imaginaire contemporain où se mélangent terreur et fascination face au spectacle de la violence médiatisée. Si le point de vue ici adopté est bien celui de l'Occident, l'objectif est également de montrer combien le djihadisme contemporain, parfaitement acculturé à la mondialisation, manipule délibérément les codes occidentaux. -- Quatrième de couverture

Politieke filosofie. Sociale filosofie --- Algemene ethiek --- Christelijke kerkgeschiedenis --- Polemologie --- Political philosophy. Social philosophy --- General ethics --- Christian church history --- Polemology --- Violence (thème) --- Représentation --- Religion --- Image --- Analyse de l'art --- Violence --- Idols and images --- Imagery (Psychology) --- Religious aspects --- Idoles et images. --- Imagerie (psychologie) --- Aspect religieux --- Religious aspects. --- Aspect religieux. --- Violence - Religious aspects --- Imagery (Psychology) - Religious aspects

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Drawing --- beeldhouwkunst, Nederlanden --- anno 1600-1699

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Iconography --- symbolism [artistic concept] --- art theory --- anthropomorphic --- human figures [visual works]