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Iconography --- Christian special devotions --- Clare of Assisi --- anno 1500-1799 --- Italy --- a --- Church renewal --- Renouveau de l'Eglise --- Catholic Church --- History. --- History --- Eglise catholique --- Histoire --- Clare, --- Cult --- Church renewal - Catholic Church - History --- Church renewal - Italy - History --- Clara v. Assisiensis --- Iconographie --- Clare, - of Assisi, Saint, - 1194-1253 - Cult - Italy --- Clare, - of Assisi, Saint, - 1194-1253 - Art --- Clare, - of Assisi, Saint, - 1194-1253

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The preaching of the Dominican friar Girolamo Savonarola and the period of his dominance (1494-1498) are a well-known chapter in the history of Renaissance Florence. However, comparatively less research has been done on Savonarola's predecessors, the mendicant preachers of Florence in the first half of the fifteenth century. The Dominican Giovanni Dominici (1356-1419) and the Franciscan Bernardino da Siena (1380-1444) were the most important of these preachers. Dominici's and Bernardino's sermons, as they appear in Tuscan reports (reportationes) of their preaching, are a valuable historical source. Written down by anonymous listeners, these are the major reports of sermons preached in fifteenth-century Florence before Savonarola. The reportationes are unique in that they transmit in full the actual preaching event and are not merely a doctrinal summary composed by the preacher. Many of these sermons are still in manuscript form, especially those of Dominici, which have never been studied in detail and remain unpublished to this day. Dominici and Bernardino were active in Florence at a time when broad legal, social and cultural changes were taking place. The central purpose of this study is to examine the response of these preachers to the changes, the alternatives they offered and their attempts to direct the life of the laity. The four principal chapters are devoted to the preachers' opinions on secular and ecclesiastical politics, education and humanism, morality and the family and the economy and usury (the role of the Jews), the discussion built around a comparison between the two preachers. Although they differed in their interests and in their style - the unbending Dominici concentrating on politics and culture while the more flexible Bernardino focused on morality and the economy - they shared ideologies.

251 "04/14" --- 945.52 FIRENZE --- 945.52 FIRENZE Geschiedenis van Italië: Toscana--(reg./lok.)--FIRENZE --- Geschiedenis van Italië: Toscana--(reg./lok.)--FIRENZE --- 251 "04/14" Homiletiek. Verkondiging. Prediking:--middeleeuwen --- Homiletiek. Verkondiging. Prediking:--middeleeuwen --- Sermons, Italian --- Italian sermons --- Bernardino, --- Dominici, Giovanni, --- Albizzeschi, Bernardino degli, --- Bernardin, --- Bernardine, --- Bernardino da Siena, --- Bernardinus, --- Bernhardin, --- Siena, Bernardino da, --- Florence (Italy) --- Florent︠s︡ii︠a︡ (Italy) --- Firenze (Italy) --- Florencia (Italy) --- Florença (Italy) --- Florenz (Italy) --- Florentia (Italy) --- Forence (Tuscany) --- Religion. --- Religion --- Preaching --- Renaissance --- Prédication --- Sermons italiens --- History --- Histoire --- Florence (Italie) --- Church history --- Social life and customs --- Histoire religieuse --- Moeurs et coutumes --- History. --- Social life and customs. --- Florence (Tuscany) --- Sermons, Italian - Italy - Florence --- Dominici, Giovanni, - 1356?-1420? --- Bernardino, - da Siena, Saint, - 1380-1444 --- Florence (Italy) - Religion --- Florence (italie) --- 15e siecle --- 14e siecle

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L'intenzione che ha guidato la studiosa israeliana Nirit Ben-Aryeh Debby, docente presso l'Università Ben Gurion del Neghev, è stata quella di presentare la tradizione iconografica di santa Chiara, partendo dalle più famose immagini medievali per giungere sino alla prima età moderna. Mentre a proposito di san Francesco e l'arte esiste una quantità abnorme di studi, gli storici dell'arte hanno invece prestato poca attenzione all'immagine di santa Chiara: le opere che la rappresentano sono state discusse in modo occasionale all'interno degli studi su san Francesco, soffermandosi soprattutto sulla tradizione antica testimoniata in Assisi fra Due e Trecento. Il libro vuole mostrare come le rappresentazioni di santa Chiara nell'arte medievale siano lo sfondo essenziale a partire dal quale diviene possibile verificare gli elementi di novità o di continuità con la tradizione presenti nella prima età moderna.

Clara v. Assisiensis --- Iconographie

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