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Lysosomes --- 576.311.344 --- 576.311.344 Lysosomes. Peroxisomes. --- Lysosomes. Peroxisomes. --- Lysosome --- Autolysosome --- Autolysosomes --- Cell organelles --- Histology. Cytology --- Lysosomes. --- Cytology.
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Improvisation (Music). --- Jazz --- History and criticism. --- 78.39.1
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This book addresses one of the most exciting and innovative developments within higher education: the rise in prominence of the creative arts and the accelerating recognition that creative practice is a form of research.
Arts --- Experiential research. --- Research --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Research. --- praksis --- eksperimentell metode --- kunst --- kreativitet --- praksisnær forskning --- dans --- musikk --- teater --- film --- forskningsmetoder --- Arts, Primitive --- Methodology. --- Arts -- Research. --- Study and teaching.
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Pathology of the circulatory system --- Arteriosclerosis --- Gene Expression --- Oxidative Stress --- Atherosclerosis. --- Atherosclerosis --- Athérosclérose --- Research. --- Recherche --- Athérosclérose --- Oxidative Stress. --- Arteriosclerosis. --- Gene Expression.
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Computer music --- History and criticism. --- Musique par ordinateur --- Histoire et critique --- 78.48
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With the ongoing development of algorithmic composition programs and communities of practice expanding, algorithmic music faces a turning point. Joining dozens of emerging and established scholars alongside leading practitioners in the field, chapters in this Handbook both describe the state of algorithmic composition and also set the agenda for critical research on and analysis of algorithmic music. Organized into four sections, chapters explore the music's history, utility, community, politics, and potential for mass consumption. Contributors address such issues as the role of algorithms as co-performers, live coding practices, and discussions of the algorithmic culture as it currently exists and what it can potentially contribute society, education, and ecommerce. Chapters engage particularly with post-human perspectives - what new musics are now being found through algorithmic means which humans could not otherwise have made - and, in reciprocation, how algorithmic music is being assimilated back into human culture and what meanings it subsequently takes. Blending technical, artistic, cultural, and scientific viewpoints, this Handbook positions algorithmic music making as an essentially human activity
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