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This book examines the radical experimentation and innovation of one of the finest and most creative printmakers of the 19th century. A collaborator with the Impressionists Edgar Degas and Camille Pissarro, Mary Cassatt (1844–1926) made some of her greatest artistic achievements as a printmaker. Her prints reveal the personal and introspective side of an American artist who was at the center of the French art world. Addressing themes of creativity, domesticity, motherhood, fashion, intimacy and privacy, Inside Out: The Prints of Mary Cassatt brings readers into close contact with an artist who used printmaking to consider issues of identity and selfhood in a changing modern world. This publication, which investigates the artist’s exploration of the medium over a period of two decades, also features an original pattern design by contemporary designer Frances MacLeod. --Copyright Bookshop
Graphic arts --- printmaking --- graphic artists --- prentkunst --- Cassatt, Mary --- 76 <73> "18/19" --- 76 <73> "18/19" Grafische kunsten. Grafiek. Prentkunst--Verenigde Staten van Amerika. VSA. USA--Hedendaagse Tijd --- Grafische kunsten. Grafiek. Prentkunst--Verenigde Staten van Amerika. VSA. USA--Hedendaagse Tijd
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"Born in Nantes, France, James Tissot trained in Paris at the École des Beaux-Arts. His mature career spanned both sides of the English Channel, where he garnered commercial and critical success. Despite recognition from patrons and peers, his reputation suffered posthumously. The critic John Ruskin's perception that Tissot created "unhappy mere color photographs of vulgar society" persists, and the artist is still too often classified as a painter of pretty women and fancy society portraits. However, scholarship demonstrates that even Tissot's most frothy society paintings reveal rich and complex commentary on Victorian culture. Tissot consistently defied convention in both his professional and personal life. This catalogue explores his multifaceted career with a fresh perspective and original scholarship to question where and how he should be situated in narratives of the nineteenth-century canon. Although he featured prominently in the recent Impressionism, Fashion, and Modernity exhibition of 2012-2013 (Musée d'Orsay, Paris; Metropolitan Museum of Art, New York; Art Institute of Chicago), Tissot did not formally belong to the Impressionist circle and never exhibited in the group's shows, despite invitations from Edgar Degas. Tissot's long association with Degas is a major thread in the catalogue: he frequently acted as Degas's mentor in the 1860s and early 1870s, and they shared an extended series of correspondence. The portrait James-Jacques-Joseph Tissot (1836-1902), painted around 1867-1868 (Metropolitan Museum of Art) by Degas, remains an iconic image of the urbane artist as a refined gentleman"--
Tissot, James --- Japonisme --- kunsthandel --- mode --- Degas, Edgar --- Leys, Henri --- Painting --- easel paintings [paintings by form] --- portraits --- France --- stijlen in beeldende kunst (Japonisme) --- kunsthandel. --- mode. --- Japonisme. --- Tissot, James. --- Leys, Henri. --- Degas, Edgar. --- Genre painting, French --- Genre painting, French. --- Male artists --- Painting, French --- Peinture de genre française --- Peinture de portraits française --- Peinture français --- Portrait painting, French --- Portrait painting, French. --- Tissot, James, --- Tissot, James,. --- Criticism and interpretation. --- Themes, motives. --- 1800-1899.
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