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"Into the white" lays bare a hidden overall logic in Kafka's work. Kafka's fictitious characters, instead of restoring an initial balance - as it is the case in most fiction -, do everything they can to maintain the imbalance. The book shows that this should be linked to Kafka's own relationship to his calling as a writer. Although 'called', Kafka always felt that he could never really 'enter the gate of his vocation': he could only wait before the open but unapproachable entrance. Writing carried a promise for Kafka that was unfulfillable. Hence, by keeping open the imbalance of its fictitious characters, Kafka's prose tries to sustain the promise.
Philosophical anthropology --- Political philosophy. Social philosophy --- Aesthetics --- Psychological study of literature --- Kafka, Franz --- Academic collection --- Fiction --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Technique --- Kafka, Franz, --- Criticism and interpretation. --- Characters --- Criticism and interpretation --- Ḳafḳa, Frants, --- Kʻapʻŭkʻa, --- Kafka, F. --- Kaphka, Phrants, --- Ḳafḳa, Amshel, --- Kafka, Franc, --- Kʻa-fu-kʻa, --- Kʻa-fu-kʻa, Fu-lang-tzʻu, --- Kāk̲apkā, --- Кафка, Франц, --- Кафка, Ф., --- フランツ・カフカ, --- קאפקא, פראנץ, --- קאפקא, פרנץ, --- קאפקה, פראנץ, --- קפקא, --- קפקא, פרנץ, --- كافكا، فرانتس، --- كفكا، فرنز، --- کافکا، فرانز،
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