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Re-inventing the past : strategies of re-enactment in European contemporary dance : proefschrift
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Year: 2016 Publisher: Antwerpen Universiteit Antwerpen, Faculteit Letteren en Wijsbegeerte, Departement Letterkunde

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Book
Bausch, Castellucci, Fabre
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ISBN: 9781474254113 9781474254168 9781474253871 9781474253987 9781474253994 9781474254007 9781474254106 9781474253949 9781474253963 9781474253970 1350445835 9781350445833 1474254160 1474254160 9781350445994 1350445991 9781350445826 9781474259941 9781350461932 9781350445840 9781474259965 9781350461949 1474208320 1474254004 1474259952 Year: 2019 Publisher: London Methuen Drama

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"This volume offers a compelling account of Jean-Louis Barrault, Ariane Mnouchkine and Peter Stein, who not only won international recognition as directors whose repertoires ranged from classical Greek to Shakespeare to the avant-garde, but also succeeded as leaders of their own companies. The ensembles they nurtured and kept afloat despite setbacks represent the artistic vision of each: the Compagnie Madeleine Renaud–Jean-Louis Barrault, the Théâtre du Soleil and the Schaubühne. Selected landmark productions illuminate the achievements of these three directors and their companies."--Provided by publisher.


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The Great European Stage Directors Volume 8 : Bausch, Castellucci, Fabre
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ISBN: 1350445843 1474208339 1474254101 1474259960 Publisher: Methuen Drama

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Dissertation
Re-inventing the past : strategies of re-enactment in European contemporary dance : proefschrift
Authors: --- --- ---
Year: 2016 Publisher: Antwerpen Universiteit Antwerpen, Faculteit Letteren en Wijsbegeerte, Departement Letterkunde

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Periodical
Documenta : Getuigen van het dansverleden: de archivering van dans in Vlaanderen
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Year: 2021 Publisher: Gent

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Digital
Materialities in Dance and Performance : Writing, Documenting, Archiving
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ISBN: 9783839470640 Year: 2024 Publisher: Bielefeld transcript Verlag

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Art


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On Reenactment: Concepts, Methodologies, Tools

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This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies – especially intertwining gender, postcolonial, and environmental issues – in the redefinition of knowledge, historical discourses, and memory. This approach also involves questioning canons and genealogies by destabilising authorship and challenging both institutional and direct forms of transmission. The structure of the book playfully recalls that of a theatrical performance, with both an overture and prelude, to provide space for a series of theoretical and practice-based insights – the solos – and conversations – the duets – by artists, critics, curators, and theorists who have dealt with reenactment. The main purpose of this book is to demonstrate how reenactment as a strategy of appropriation, circulation, translation, and transmission can contribute to understanding history both in its perpetual becoming and as a process of reinvention, renarration, and resignification from an interdisciplinary perspective.


Book
Materialities in Dance and Performance
Authors: --- --- --- --- --- et al.
ISBN: 9783837670646 3837670643 9783839470640 3839470641 Year: 2024 Publisher: Bielefeld

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"What is 'materiality' in dance and performance? What role does 'the material' play in the formation for the cultural memory of ephemeral arts? The contributors to this volume examine concepts of materiality in dance and performance, the use of materials in artistic practices and the role of social media in changing the perception of time-based artefacts. The volume shows how the focus on materiality transforms contemporary artistic work and challenges established concepts of dance and performance research."--

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