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Recreation. Games. Sports. Corp. expression --- anno 2000-2099 --- Europe
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"This volume offers a compelling account of Jean-Louis Barrault, Ariane Mnouchkine and Peter Stein, who not only won international recognition as directors whose repertoires ranged from classical Greek to Shakespeare to the avant-garde, but also succeeded as leaders of their own companies. The ensembles they nurtured and kept afloat despite setbacks represent the artistic vision of each: the Compagnie Madeleine Renaud–Jean-Louis Barrault, the Théâtre du Soleil and the Schaubühne. Selected landmark productions illuminate the achievements of these three directors and their companies."--Provided by publisher.
Theatrical producers and directors --- Theater --- Entrepreneurs de spectacles --- Théâtre --- Production and direction --- History --- Production et mise en scène --- Histoire --- Theatre: persons --- Biography: 1900-1999 --- Europe --- Stanislavsky, Constantin --- Antoine, André --- Saint-Denis, Michel --- Grotowski, Jerzy --- Barba, Eugenio --- Brook, Peter --- Strehler, Giorgio --- Littlewood, Joan --- Planchon, Roger --- Stein, Peter --- Barrault, Jean-Louis --- Mnouchkine, Ariane --- Fabre, Jan --- Bausch, Pina --- Castellucci, Romeo --- Brecht, Bertolt --- Piscator, Erwin --- Meyerhold, Vsevolod E. --- Copeau, Jacques --- Guthrie, Tyrone --- Komisarjevsky, Theodore --- Jessner, Leopold --- Granville-Barker, Harley --- Reinhardt, Max --- Producteurs et metteurs en scène de théâtre --- Barrault, Jean-Louis, --- Mnouchkine, Ariane, --- Stein, Peter, --- Criticism and interpretation. --- Littlewood, Joan. --- Planchon, Roger, --- Strehler, Giorgio, --- Théâtre --- Production et mise en scène
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This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies – especially intertwining gender, postcolonial, and environmental issues – in the redefinition of knowledge, historical discourses, and memory. This approach also involves questioning canons and genealogies by destabilising authorship and challenging both institutional and direct forms of transmission. The structure of the book playfully recalls that of a theatrical performance, with both an overture and prelude, to provide space for a series of theoretical and practice-based insights – the solos – and conversations – the duets – by artists, critics, curators, and theorists who have dealt with reenactment. The main purpose of this book is to demonstrate how reenactment as a strategy of appropriation, circulation, translation, and transmission can contribute to understanding history both in its perpetual becoming and as a process of reinvention, renarration, and resignification from an interdisciplinary perspective.
Theater --- rievocazione storica --- storia della danza e dell'arte --- performance teatrale --- rievocazione come strategia di appropriazione --- reconstitution --- histoire de la danse et de l'art --- représentation théâtrale --- la reconstitution comme stratégie d'appropriation --- reenactment --- history of dance and art --- theatrical performance --- reenactment as a strategy of appropriation
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"What is 'materiality' in dance and performance? What role does 'the material' play in the formation for the cultural memory of ephemeral arts? The contributors to this volume examine concepts of materiality in dance and performance, the use of materials in artistic practices and the role of social media in changing the perception of time-based artefacts. The volume shows how the focus on materiality transforms contemporary artistic work and challenges established concepts of dance and performance research."--
Dance. --- Folk music. --- Dance --- Danse --- Research. --- Recherche. --- Matérialité --- Société numérique --- Archives --- Fonds d archives --- Réseaux sociaux --- Performance-art
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