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Friendly fire (Military science) --- World War, 1939-1945 --- #GGSB: Geschiedenis (West-Vlaanderen) --- 940.53 --- 949.33 KORTRIJK --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- 949.33 KORTRIJK Geschiedenis van België: graafschap Vlaanderen; provincie West-Vlaanderen--(reg./lok.)--KORTRIJK --- Geschiedenis van België: graafschap Vlaanderen; provincie West-Vlaanderen--(reg./lok.)--KORTRIJK --- 940.53 Geschiedenis van Europa: Tweede Wereldoorlog--(1939-1945) (algemeen) --- Geschiedenis van Europa: Tweede Wereldoorlog--(1939-1945) (algemeen) --- Amicicide (Military science) --- Blue on blue incidents (Military science) --- Battle casualties --- Kortrijk (Belgium) --- Courtrai (Belgium) --- History --- History of Belgium and Luxembourg --- anno 1940-1949 --- Courtrai (Arr.) --- Geschiedenis (West-Vlaanderen)
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topografie --- neo-impressionisme --- digitale beeldvorming --- 19de eeuw --- 20ste eeuw --- De Cirk
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'UPDATE_6' gives an overview of how new technological art has developed since the 1950's. At the site 'Zebrastraat Ghent' various renowned and upcoming artists gave their take on the idea of new technological art. Update_6 reflects of this international exhibition and takes the reader on an insightful journey through the evolution of how the new technological arts have unfolded through history. The appearance, during the 1950's, of electronic and computer tools in the arts, forced artists to a more in-depth knowledge of techniques and their languages to "master" the new instruments that were now put at their disposal by engineers. Artists reacted to this new development in two main ways: either by collaborating with engineers or by learning to use the new techniques themselves. This new undertaking also forced the artist to make an ideological choice: proceed with the idea of art as 'causa mentale', or consider finding new ways to master the technology and submit it to their artistic needs. In practice of course, this 'pas de deux' was not as straightforward and, over time, many different exchanges and interweavings saw flourishing. This book aims to provide an overview of the most relevant authors, exhibitions, events and places. Exhibition: Zebrastraat, Ghent, Belgium (2016).
new media art --- Contemporary [style of art] --- Art --- anno 1900-1999 --- Mandiberg, Michael --- Wang, Lien-Cheng --- Stanza --- Depoorter, Dries --- Schubert, Theresa --- Friedrich, Verena --- Wolf, Sebastian --- Kugler, Michael --- Lee, Marc --- Grossmann, Julien --- Joris, Eric --- Heuninck, Elias --- Chierico, Alessio --- Vorn, Bill --- Smigla-Bobinski, Karina --- Smrekar, Maja --- Cleene, De, Michiel --- Demers, Louis-Philippe --- Quadrature [Berlin] --- 1024 architecture [Paris] --- Assocreation --- CREW --- Art and technology --- 778.5 --- Tentoonstellingscatalogi ; Gent ; Zebrastraat --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Technology and art --- Technology --- History --- Awards --- Kunst nieuwe technieken ; video, laser, computer, klank, --- Exhibitions --- New Technological Art Award (NTAA) --- 778.5.039 --- Art, Primitive --- Kunst nieuwe technieken ; 2000-2050 --- kunst en technologie
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