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Philosophical anthropology --- Aesthetics --- anno 1700-1799 --- Great Britain --- Aesthetics, British --- Individualism --- Sublime, The --- Esthétique britannique --- Individualisme --- Sublime --- History --- Histoire --- 82.01 --- -Aesthetics, British --- -Individualism --- -Economics --- Equality --- Political science --- Self-interest --- Sociology --- Libertarianism --- Personalism --- Persons --- Aesthetics, English --- British aesthetics --- English aesthetics --- Esthetica --- -History --- -Esthetica --- -82.01 --- 82.01 Esthetica --- -82.01 Esthetica --- Esthétique britannique --- Economics --- Sublime, The - History - 18th century. --- Aesthetics, British - 18th century. --- Individualism - History - 18th century.
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Newman, Barnett --- Aesthetics. --- Arts --- Philosophy.
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"The Architecture of Concepts presents a new history of ideas. Using digital archives to track the historical formation of the concept of human rights across the Anglophone eighteenth century, it argues that a better understanding of the architecture of the concept will enable us to deliver on its universal aspirations"--
Human rights --- Civil rights --- Liberty. --- Literary criticism --- Political science --- History. --- General. --- Political Freedom & Security --- Civil Rights.
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The concept of the Sublime has influenced aesthetic and theoretical debate ever since it was first widely invoked in the eighteenth century. However, the unavailability of many crucial early texts has resulted in a conception of the Sublime often limited to the definitions of its most famous theorist Edmund Burke. Andrew Ashfield and Peter de Bolla's valuable anthology, which includes an introduction, and headnotes to each entry, now offers students and scholars ready access to a deep and complex tradition of writing on the Sublime, many of them never before reprinted in modern editions.
Sublime, The --- History --- Sublime, The - History - 18th century
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This collection of texts on the Sublime provides the historical context for the foundation and discussion of one of the most important aesthetic debates of the Enlightenment. The significance of the Sublime in the eighteenth century ranged across a number of fields - literary criticism, empirical psychology, political economy, connoisseurship, landscape design and aesthetics, painting and the fine arts, and moral philosophy - and has continued to animate aesthetic and theoretical debates to this day. However, the unavailability of many of the crucial texts of the founding tradition has resulted in a conception of the Sublime often limited to the definitions of its most famous theorist Edmund Burke. Andrew Ashfield and Peter de Bolla's anthology, which includes an introduction and notes to each entry, offers students and scholars ready access to a much deeper and more complex tradition of writings on the Sublime, many of them never before printed in modern editions.
Sublime, The --- History --- Arts and Humanities --- Literature
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This collection of essays by scholars of the law and literature movement explores the place of the passions in English law of the eighteenth and nineteenth centuries. While some of the essays elucidate the forces of emotion in legal texts, others consider the representation of impassioned jurisprudence in literary texts. Together these essays provide insight into the foundations of modern juridical thought.
Law --- Law and literature. --- History. --- Literature and law --- Literature
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