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Leg over Leg recounts the life, from birth to middle age, of ‘the Fariyaq,’ alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women’s rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures. Al-Shidyaq also celebrates the genius and beauty of the classical Arabic language.Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg Over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its “obscenity,” and later editions were often abridged. This is the first English translation of the work and reproduces the original Arabic text, published under the author’s supervision in 1855.
Arabic language --- Lexicography. --- Shidyāq, Aḥmad Fāris, --- Travel --- Middle East --- Description and travel.
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"a comprehensive guide to trickery and scams as practiced in the thirteenth century in the cities of the Middle East, especially in Syria and Egypt"--
Swindlers and swindling --- Quacks and quackery --- Impostors and imposture
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Witty, bawdy, and vicious, Yusuf al-Shirbini's Brains Confounded pits the "coarse" rural masses against the "refined" urban population. In Volume One, al-Shirbini describes the three rural "types"--peasant cultivator, village man-of-religion, and rural dervish--offering anecdotes testifying to the ignorance, dirtiness, and criminality of each. In Volume Two, he presents a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day, with a 47-line poem supposedly written by a peasant named Abu Shaduf, who charts the rise and fall of his fortunes. Wielding the scholarly tools of elite literature, al-Shirbini responds to the poem with derision and ridicule, dotting his satire with digressions into love, food, and flatulence. Volume Two of Brains Confounded is followed by Risible Rhymes, a concise text that includes a comic disquisition on "rural" verse, mocking the pretensions of uneducated poets from Egypt's countryside. Risible Rhymes also examines various kinds of puzzle poems, which were another popular genre of the day, and presents a debate between scholars over a line of verse by the tenth-century poet al-Mutanabbi. Together, Brains Confounded and Risible Rhymes offer intriguing insight into the intellectual concerns of Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics and shedding light on the literature of the era.
Arabic literature --- Satire, Arabic --- Social problems in literature --- Villages --- Egypt. --- Egypt --- Rural conditions
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A merchant’s account of his travels through an independent African state Muhammad ibn 'Umar al-Tunisi (d. 1274/1857) belonged to a family of Tunisian merchants trading with Egypt and what is now Sudan. Al-Tunisi was raised in Cairo and a graduate of al-Azhar. In 1803, at the age of fourteen, al-Tunisi set off for the Sultanate of Darfur, where his father had decamped ten years earlier. He followed the Forty Days Road, was reunited with his father, and eventually took over the management of the considerable estates granted to his father by the sultan of Darfur. In Darfur is al-Tunisi’s remarkable account of his ten-year sojourn in this independent state. In Volume One, al-Tunisi relates the history of his much-traveled family, his journey from Egypt to Darfur, and the reign of the noted sultan 'Abd al-Rahman al-Rashid. In Darfur combines literature, history, ethnography, linguistics, and travel adventure, and most unusually for its time, includes fifty-two illustrations, all drawn by the author. In Darfur is a rare example of an Arab description of Africa on the eve of Western colonization and vividly evokes a world in which travel was untrammeled by bureaucracy, borders were fluid, and startling coincidences appear almost mundane.
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"Witty, bawdy, and vicious, Yūsuf al-Shirbīnī's 'Brains Confounded' pits the "coarse" rural masses against the "refined" urban population. In Volume One (ISBN 9781479840212), al-Shirbīnī describes the three rural "types"-peasant cultivator, village man-of-religion, and rural dervish-offering anecdotes testifying to the ignorance, dirtiness, and criminality of each. In Volume Two, he presents a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day, with a 47-line poem supposedly written by a peasant named Abū Shādūf, who charts the rise and fall of his fortunes. Wielding the scholarly tools of elite literature, al-Shirbīnī responds to the poem with derision and ridicule, dotting his satire with digressions into love, food, and flatulence. Volume Two of 'Brains Confounded' is followed by 'Risible Rhymes', a concise text that includes a comic disquisition on "rural" verse, mocking the pretensions of uneducated poets from Egypt's countryside. 'Risible Rhymes' also examines various kinds of puzzle poems, which were another popular genre of the day, and presents a debate between scholars over a line of verse by the tenth-century poet al-Mutanabbī. Together, 'Brains Confounded' and 'Risible Rhymes' offer intriguing insight into the intellectual concerns of Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics and shedding light on the literature of the era"--
Arabic literature --- Satire, Arabic --- Social problems in literature --- Villages --- Egypt. --- Egypt --- Rural conditions
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