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What is a Museum Now? asks about the role of a museum in contemporary society. All of Snøhetta's work is formed by the interaction between humans and their physical surroundings. Regarding this connection, the design studio recognized that a museum is a mediator between art and life. This book contains a detailed and extensive documentation of the San Francisco Museum of Modern Art's expansion, conducted by Snøhetta. The studio evolved the SFMOMA as a new form of art appreciation where the experience is an extension of the life of the city itself. This book presents the most recent investigation by Snøhetta into how architecture can nurture social interaction and diversity, fostering relationships where the world of the imagination and the realities of our lives come together. Accompanied by behind-the-scenes sketches, drawings and photographs that detail the design and construction process, this book is in itself an intimate engagement with the building, its art, its directors and curators, its inhabitants and its creators.
Art museums --- Musée --- Agence d'architecte --- Snøhetta (Firm) --- San Francisco Museum of Modern Art --- San francisco --- Musée d'art Moderne --- 727.7 --- Snøhetta --- San Francisco --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Musea (architectuur) --- Museumarchitectuur --- Kunstmusea (architectuur) --- Galleries and museums --- Museums --- San Francisco (Calif.). --- SFMOMA --- Buildings. --- architectural firms --- Public buildings --- art museums [institutions] --- Snøhetta [Oslo] --- California --- museology --- Museology --- Arts facilities --- San Francisco Museum of Art --- San Francisco (Calif.). Museum of Modern Art --- Art museums - United States - San Francisco (Calif.)
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Why does live performance continue to engage us? In a world saturated with recorded entertainment, we seek out the intimacy and immediacy of live music and theater. What is the relationship between design and the experiences, perceptions, and memories it engenders? At its best, architecture, a collection of elements - some apparent, some hidden - shapes and intensifies the process and experience of performance. Set Pieces pairs the words of leading artists and critics with details showcasing the design and inner workings from projects by Diamond Schmitt Architects for some of the world’s most remarkable performing-arts buildings. The book provides an immersive study of fifteen design elements that enhance and transform the perception of performance - and evoke experiences that surpass visual understanding. In-depth documentations of David Geffen Hall at Lincoln Center, New York, Theater an de Parade, Hertogenbosch, National Arts Centre, Ottawa and others. A photo essay looks at the backstage world of these famous halls. Exploration of the unique typology of performing arts buildings from various angles.
Centers for the performing arts --- Music-halls --- Architectural acoustics --- Salles de spectacle --- Salles de concert --- Acoustique architecturale --- Design and construction --- Conception et construction --- Diamond and Schmitt Architects --- Design and construction. --- Architecture de spectacle --- Salle polyvalente --- Salle de spectacle --- Architecture intérieure --- Typologie des bâtiments et équipements divers --- Auditorium
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This handbook is structured in two parts: it provides, on the one hand, a comprehensive (synchronic) overview of the phonetics and phonology (including prosody) of a breadth of Romance languages and focuses, on the other hand, on central topics of research in Romance segmental and suprasegmental phonology, including comparative and diachronic perspectives. Phonetics and phonology have always been a core discipline in Romance linguistics: the wide synchronic variety of languages and dialects derived from spoken Latin is extensively explored in numerous corpus and atlas projects, and for quite a few of these varieties there is also more or less ample documentation of at least some of their diachronic stages. This rich empirical database offers excellent testing grounds for different theoretical approaches and allows for substantial insights into phonological structuring as well as into (incipient, ongoing, or concluded) processes of phonological change. The volume can be read both as a state-of-the-art report of research in the field and as a manual of Romance languages with special emphasis on the key topics of phonetics and phonology.
Phonetics --- Romance languages --- Phonology. --- Phonetics. --- Llengües romàniques --- Fonètica --- Fonologia --- Lingüística --- Consonants --- Neutralització (Lingüística) --- Teoria de l'optimitat (Lingüística) --- Trets distintius (Lingüística) --- Vocals --- Llengües neollatines --- Filologia romànica --- Llatí --- Llatí vulgar --- Castellà (Llengua) --- Català --- Cors (Llengua) --- Dàlmata (Llengua) --- Francès --- Francoprovençal --- Galaicoportuguès --- Gallec --- Italià (Llengua) --- Occità --- Portuguès --- Romanès --- Sard --- Ortologia --- Alfabet fonètic --- Anàlisi prosòdica (Lingüística) --- Assimilació (Fonètica) --- Fonètica acústica --- Fonètica experimental --- Fonètica forense --- Sil·labació --- Simbolisme fònic --- Transcripció fonètica --- To (Fonètica) --- Veu --- Neo-Latin languages --- Italic languages and dialects --- Phonology
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