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Painting --- Abstract [fine arts style] --- abstract artists --- Keyser, de, Raoul --- Painting, Belgian --- 75.07 --- Schilderkunst ; 1971-2009 ; Raoul De Keyser --- De Nieuwe Visie --- Belgische kunstenaars --- Tentoonstellingscatalogi ; Londen ; New York ; David Zwirner Gallery --- De Keyser, Raoul 1930-2012 (°Deinze, België) --- Belgian painting --- Schilderkunst ; schilders --- Keyser, Raoul de, --- De Keyser, Raoul, --- Criticism and interpretation. --- Exhibitions --- De Keyser, Raoul --- De Keyser, Raoul. --- Abstract [modern European style]

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The work of Donald Judd, one of the most significant American artists of the postwar period, has come to define Minimalist art, a label to which the artist strongly objected. The unaffected, straightforward quality of Judd’s work demonstrates his strong interest in color, form, material, and space. Wanting to create works that could assume a direct material and physical presence without recourse to grand philosophical statements, Judd eschewed classical ideals of representational sculpture and created works that relied on clear, definite objects. Donald Judd: Cor-ten represents the first-ever focused examination of Judd’s works in Cor-ten steel, which he began to produce in earnest in 1989, and would continue to elaborate on until his death in 1994. Cor-ten is an alloy that makes steel more resistant to corrosion, and eliminates the need for paint. With its distinctive redbrown patina, Cor-ten afforded Judd a new medium for exploring the relationship between surface and volume, as well as color and form. Prior to 1989, Judd executed a handful of works in Cor-ten primarily as outdoor commissions or site-specific works. In addition to presenting these works together for the very first time, this volume is produced on the occasion of the 2015 exhibition at David Zwirner, New York and includes scholarship by art historian Courtney Fiske that contextualizes these specific works within Judd’s oeuvre.

Cor-Ten steel (TM) --- Sculpture --- sculpture [visual work] --- Minimal --- Judd, Donald --- Steel sculpture, American --- 73 --- beeldhouwkunst --- staal --- Donald Judd --- American steel sculpture --- beeldhouwkunst, numismatiek, kunstsmeedwerk en kunstdrijfwerk --- Judd, Donald, --- Judd, Don, --- Jaddo, Donarudo, --- Exhibitions --- sculpture [visual works] --- Design --- Peinture --- Espace

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Installations (Art) --- Site-specific art --- Performance art --- 7.07 --- 791.43.07 --- 741.5.07 --- Collages --- Performing arts ; dans ; theater --- Beeldende kunst ; 21ste eeuw ; 2002-2010 ; M. Dzama --- Dzama, Marcel °1974 (°Winnipeg, Canada) --- Site art --- Site-specific arts --- Arts, Modern --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Filmregisseurs, acteurs, filmografen --- Tekenkunst ; striptekenaars ; cartoonisten A - Z --- Exhibitions --- Art --- installations [visual works] --- drawing [image-making] --- performance art --- site-specific works --- Dzama, Marcel

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Marcel Dzama first gained fame with his drawings, but has recently expanded his practice to encompass film and three-dimensional work, developing an immediately recognizable language that draws from a diverse range of references and influences, including Dada and Marcel Duchamp. Created in close collaboration with the artist, this publication includes work from his 2013 exhibition at David Zwirner in London, which featured three videos inspired by the game of chess; puppets and masks based on the characters; and drawings, collages, dioramas, paintings and sculptural works. Dzama utilized the architecture of the gallery itself--an eighteenth-century Georgian townhouse--by hanging puppets from a skylight above the five-story building's central spiral staircase and placing monitors in the windows so videos were viewed from the street. Among the drawings included is the large-scale, four-part Myth, Manifestos and Monsters, in which characters from the films line up alongside figures from the artist's earlier repertoire. Other drawings, such as two large-scale works executed on piano scroll, depict the characters in poses that mirror their movements and dancing in the films, while a series of new collages feature this imagery in more unexpected contexts. Five small paintings depicting a lone female terrorist seated on a bed emphasize the underlying tension between reality and fiction that characterizes all of the works gathered here. --Amazon.

Dzama, Marcel --- Drawing, Canadian --- Painting, Canadian --- Sculpture, Canadian --- Collage --- Video art --- 7.07 --- Dzama, Marcel °1974 (°Winnipeg, Canada) --- Tentoonstellingscatalogi ; Londen ; New York ; David Zwirner Gallery --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Collages --- Art --- Found objects (Art) --- Handicraft --- Montage --- Canadian sculpture --- Canadian painting --- Painters Eleven (Group of painters) --- Canadian drawing --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions --- Time-based art

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The Beijing-based artist Liu Ye is known for his precise, deftly rendered representational paintings. Drawn equally from contemporary culture and old master painting, Liu's wide-ranging visual touchstones include Piet Mondrian, Miffy the Bunny, and Prada advertisements. In this new publication devoted to his book paintings, the artist examines the book as both a physical object and cultural totem. Playing with geometry and perspective, Liu creates extraordinary and disorienting portraits of this most familiar subject. Liu's Book Painting series, begun in 2013, depicts close-up views of books that are turned open to reveal empty pages, an approach that emphasizes the object's form over its content. Rendering books' material structure--endpapers, binding, spine--in sensual detail, these paintings indicate an obsession with the book as an object and a lifelong love of literature. Liu's father was a children's book author who introduced him to Western writers at a young age, fueling his curiosity and imagination. Many of the books in Liu's father's collection were banned in Cultural Revolution-era China and the artist read them secretly throughout his childhood. This formative experience figures in his popular Banned Books series and in his book paintings in general.

Artists --- Painting, Chinese --- Books in art --- Liu, Ye,