Listing 1 - 9 of 9 |
Sort by
|
Choose an application
Choose an application
Choose an application
This monograph documents the sophisticated solutions of 20 international projects realised by David Chipperfield Architects London, Berlin, Milan and Shanghai. The selection from the firm's extensive portfolio presents different building typologies and construction tasks, be it new buildings, restoration, extensions or interiors. A view behind the scenes retells the challenges of major architectural milestones such as the Neues Museum in Berlin and smaller projects like the Valentino Flagship Stores in Rome and New York - in pictures, descriptions and interviews as well as plans. The focus here is on the design and construction details of the individual projects: they bear the mark of David Chipperfield Architects' unmistakable approach.
Architecture, British --- Architecture, Modern --- Chipperfield, David, --- David Chipperfield Architects --- British architecture --- Modern architecture --- 72 CHIPPERFIELD --- Chipperfield, David --- Architecture, British - 21st century - Designs and plans --- Architecture, Modern - 21st century - Designs and plans --- Chipperfield, David, - 1953 --- -Architecture, British --- -Chipperfield, David --- Chipperfield, David, - 1953-
Choose an application
The catalogue presents some of David Chipperfield Architect's current work, that is either recently completed, or in progress. We hope to expose in a more open manner, not a glossy presentation of an overview of our work, but a more open explanation of the work of the architect. This does not mean that the aesthetics of presentation are avoided, rather they are balanced by an attempt to communicate thoughts and concerns that are still in our minds and are part of our process. In order to emphasise this, each project team has been responsible for developing their own installation. We also want to avoid the idea that this process is anything but messy. The development of ideas is not consistent from project to project. Every process is subject to different possibilities and limits. Some projects develop intensely through a concentrated process of competition while others evolve through changes in circumstances and demands. Some are elaborated through sketches and modifications and some evolve through a more mechanical process of revision and the examination of alternatives.
Choose an application
A book about a large building (216,000 m2) recently built (between 2010 and 2018) in East Asia (Seoul) for a Korean beauty and cosmetics company (Amorepacific) as their headquarters (encompassing a museum, library, auditorium, kindergarden, restaurants, laboratories and offices for 7000 employees), designed by an international architectural firm (David Chipperfield Architects Berlin) following clear design principles (simple form and organisation, connecting with city and nature, real materials), situated between different urban fabrics (a new business district, a large park and a small-scale mixed-use neighbourhood) and built from various materials from the region and all over the world (concrete, aluminium, glass, granite, textile, wood). The book compiles 860 documents that were generated during the planning and construction process of the Amorepacific headquarters in Seoul. The artefacts are complemented by two image series by photographer Laurian Ghinitoiu.
Amorepacific (Firm) --- Sièges sociaux. --- Skyscrapers --- Architecture --- 72.07 --- 72.039(519) --- Chipperfield, David °1953 (°Londen, Engeland) --- Architectuur ; Korea ; 21ste eeuw --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- History --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 2000 - 2050 ; Korea --- Design and construction --- David Chipperfield Architects. --- T'aep'yŏngyang (Chu : Korea) --- Amore P'ŏsip'ik (Firm) --- 아모레 퍼시픽 (Firm) --- Amorepacific Corporation --- Seoul (Korea) --- Seoul Metropolitan Government (Korea) --- Sye-ul (Korea) --- Wang-ching (Korea) --- Wō-jō (Korea) --- Kyŏngsŏng (Korea) --- Keijō (Korea) --- Choei-yuen (Korea) --- Hang-yang-tcheng (Korea) --- Han-yang (Korea) --- Hâ-seng (Korea) --- Kan-yō-jō (Korea) --- Keizyō (Korea) --- Kiung (Korea) --- Seul (Korea) --- Sŏul (Korea) --- Sŏul T'ŭkpyŏlsi (Korea) --- Sīʼūl (Korea) --- Seoul Special City (Korea) --- 서울 (Korea) --- Seoul-teukbyeolsi (Korea) --- 서울특별시 (Korea) --- Keijō-fu (Korea) --- Keijō-shi (Korea) --- Kēzyō (Korea) --- Kyŏngsŏng-bu (Korea) --- Special City of Seoul (Korea) --- Seoul City (Korea) --- Sŏul-si (Korea) --- Buildings, structures, etc. --- High-rise buildings --- Building, Iron and steel --- Office buildings --- Tall buildings --- Amore Pacific (Firm) --- Architecture, Primitive
Choose an application
Chipperfield, David --- Architecture, Modern --- 72.071 --- architecten --- David Chipperfield --- architectuur 20e eeuw --- architectuur 21e eeuw --- buitenlandse architecten --- David Chipperfield Architects --- Chipperfield Architects --- Exhibitions --- DCA
Choose an application
This book, edited by David Chipperfield, documents his most important project to date: the Neues Museum, the centrepiece of the Berlin Museumsinsel. Here he connects the old and the new in a completely novel way. As he says himself, he “proceeded like a painter, who painstakingly considers every dab of paint”. Photographs by Candida Höfer show the rooms after their completion and before they were furnished. As Höfer avoided using artificial light, the rooms are bathed in a soft natural light. These critical moments are perfectly reproduced in the book as matt colour plates. The photographer is inspired by the empty rooms and grandiose corridors of space to then dedicate her attention to the architect’s interventions. This artistic-photographic documentation is complimented by texts from well-known architects, architectural historians, art historians and conservation architects. They highlight the fundamental principles of the project of conservation and complementation. Kenneth Frampton discusses the almost historical endeavour to restore such a building and responds to Chipperfield’s architectural interventions, purely abstract forms that avoid any trace of kitsch. Joseph Rykwert describes the fragmented history “of which this building is evidence, thanks to its manifold layers”. An interview with David Chipperfield by Wolfgang Wolters imparts insights into the problems and questions that the restoration posed and in his contribution, Thomas Weski takes a closer look at Candida Höfer’s photography. In addition, a chronology offers an overview of the history of the building, the request for proposals for its reconstruction and the restoration itself.
Museology --- Public buildings --- Neues Museum [Berlin] --- 72.07 --- 727.7 --- 72.039 --- Architectuur ; Berlijn ; Neues Museum ; D. Chipperfield --- Chipperfield, David °1953 (°Londen, Engeland) --- Museumarchitectuur ; 2009 ; Berlijn ; Neues Museum --- museumgebouwen --- David Chipperfield --- Berlijn --- Neues Museum Berlin --- Architecten. Stedenbouwkundigen A - Z --- Gebouwen voor opleiding en wetenschap ; kunstmusea, kunstgalerijen --- Architectuurgeschiedenis ; 2000 - 2050 --- gebouwen voor musea, kunstgalerijen - museumarchitectuur --- Historic buildings --- Art museums --- Conservation and restoration --- Chipperfield, David |v Interviews. --- Neues Museum (Berlin, Germany) --- Berlin (Germany) --- Buildings, structures, etc. --- Neues Museum (Berlin, Germany). --- adaptive reuse --- Chipperfield, David --- David Chipperfield Architects --- Musea (architectuur)
Choose an application
This book presents David Chipperfield's new architectural work realized in Japan, a contemporary place for prayer. The primary material will be photography: Keiko Sasaoka's work documents the architecture, which is in constant dialogue with the surrounding landscape of Inagawa, over four alternating seasons. Her camera conveys the visitor's experience of the architecture in time and space, rather than an objectified image of a static piece of work. The photographic journey of the Chapel and the Visitor Centre will be followed by an essay written by the architect and stories behind the scene: the parallel processes of collaborations with client, with constructors and engineers, and designers for the exceptional gardens or handmade screens. The buildings are as much the outcome of innovative architectural thinking with deference to the Japanese sensitivity as a technical breakthrough for construction.
Choose an application
Listing 1 - 9 of 9 |
Sort by
|