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In the wake of proliferating discourses around globalisation and culture, some central questions around cultural politics have acquired a commonsensical and hegemonic character in contemporary intellectual discourse. The politics of difference, the possibilities of hybridity and the potential of multiple liminalities frame much discussion around the transnational dimensions of culture and post-identity politics. In this volume, the economic, political and social consequences of the focus on ‘culture’ in contemporary theories of globalization are analysed around the disparate fields of architecture, museum discourse, satellite television, dub poetry, carnival and sub-national theatre. The discourses of hybridity, diaspora, cultural difference minoritization are critically interrogated and engaged with through close analysis of cultural objects and practices. The essays thus intervene in the debate around modernity, globalization and cultural politics, and the volume as a whole provides a critical constellation through which the complexity of transnational culture can be framed. Thinking through the particular, the essays limn the absent universality of forms of capitalist globalization and the volume as a whole provides multiple perspectives from which to enter the singular modernity of our times in all its complexity.
Culture diffusion. --- International relations and culture. --- Representation (Philosophy). --- Transnationalism. --- Representation (Philosophy) --- Trans-nationalism --- Transnational migration --- Representationalism (Philosophy) --- Representationism (Philosophy) --- Culture and international relations --- Cultural diffusion --- Diffusion of culture --- International relations --- Culture --- Philosophy --- Social change
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Aesthetics --- Philosophy --- Psychology --- kunsttheorie --- kunst en psychoanalyse --- kunst en politiek --- esthetica --- 7.01 --- 111.852 --- 1.07 --- Filosofie ; esthetica ; Jacques Rancière --- Rancière, Jacques °1940 (°Algiers, Algerije) --- Kunsttheorie ; over het esthetisch denken --- Filosofie ; Kunstfilosofie. Esthetica --- Filosofie ; filosofen (A - Z) --- Kunst ; theorie, filosofie, esthetica --- departement Beeldende Kunst 08 --- psychoanalyse --- esthetiek
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What’s Queer about Europe? examines how queer theory helps us initiate disorienting conjunctions and counterintuitive encounters for imagining historical and contemporary Europe. This book queers Europe and Europeanizes queer, forcing a reconsideration of both. Its contributors study Europe relationally, asking not so much what Europe is but what we do when we attempt to define it. The topics discussed include: gay marriage in Renaissance Rome, Russian anarchism and gender politics in early-twentieth-century Switzerland, colonialism and sexuality in Italy, queer masculinities in European popular culture, queer national identities in French cinema, and gender theories and activism. What these apparently disparate topics have in common is the urgency of the political, legal, and cultural issues they tackle. Asking what is queer about Europe means probing the blind spots that continue to structure the long and discrepant process of Europeanization.
Queer theory --- Europe --- Civilization. --- European identity. --- French cinema. --- Italian cinema. --- National identity. --- Popular culture. --- Postcolonialism. --- Queer theory. --- gender.
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kunst --- India --- eenentwintigste eeuw --- Macuga Goshka --- Agirregoioa Juan Pérez --- Braun Matti --- Gupta Sunil --- Raqs Media Collective --- Motti Melvin --- Baij Ramkinkar --- 7.039 --- 7.039(540) --- Beeldende kunst ; Indië ; 20ste en 21ste eeuw --- Beeldhouwkunst ; 1938 ; Ramkinkar Baij ; Santhal Family --- Diversiteit --- Kunst en migratie --- Kunstgeschiedenis ; 2000 - 2050 ; Indië --- Exhibitions --- Macuga, Goshka --- Braun, Matti --- Gupta, Sunil --- Motti, Melvin
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How can we think of art history as a discipline that moves process-based, performative, and cultural migratory movement to the center of its theoretical and methodical analyses? With contributions from internationally renowned experts, this manual, for the first time, provides answers as to what consequences the interaction of migration and globalization has on research in the field of the science of art, on curatory practice, and on artistic production and theory. The objective of this multi-vocal anthology is to open up an interdisciplinary discourse surrounding the increased focus on the phenomenon of migration in art history.
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