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The structure of religious knowing : encountering the sacred in Eliade and Lonergan
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ISBN: 0791460614 9780791460610 Year: 2004 Publisher: Albany: State university of New York press,


Book
Archival material : early papers on history
Authors: ---
ISBN: 9781487524388 9781487506483 1487524382 1487506481 1487534264 1487534272 9781487534264 Year: 2019 Volume: 25 Publisher: Toronto: University of Toronto press,

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Abstract

In the mid- to late-1930s, while he was a student at the Gregorian University in Rome, Bernard Lonergan wrote a series of eight essays on the philosophy and theology of history. These essays foreshadow a number of the major themes in his life's work.The significance of these essays is enormous, not only for an understanding of the later trajectory of Lonergan's own work but also for the development of a contemporary systematic theology. In an important entry from 1965 in his archival papers, Lonergan wrote that the "mediated object" of systematics is Geschichte or the history that is lived and written about. In the same entry, he stated that the "doctrines" that this systematic theology would attempt to understand are focused on "redemption." The seeds of such a theology are planted in the current volume, where the formulae that are so pronounced in his later work first appear. Students of Lonergan's work will find their understanding of his philosophy profoundly affected by the essays in this volume.


Book
Meaning and history in systematic theology : essays in honor of Robert M. Doran.
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ISBN: 0874627451 9780874627459 Year: 2009 Publisher: Milwaukee Marquette University Press

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Book
A second collection
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ISBN: 9781487500672 9781487520472 9781487520475 148750067X 1487520476 1487511574 1487511582 Year: 2016 Volume: 13 Publisher: Toronto: University of Toronto press,

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Abstract

For the edition of A Second Collection prepared for the Collected Works of Bernard Lonergan, editors Robert M. Doran and John D. Dadosky have added archival materials directly related to almost every one of the papers, bringing the reader closer to the original compositions.

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